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Updated: July 2, 2025


They went, therefore, to Rome, where the habit of S. Dominic was changed for that of S. Peter. Bramante at that time had caused two windows of travertine to be made in the Palace of the Pope, which were in the hall in front of the chapel, now embellished by a vaulted ceiling by Antonio da San Gallo, and by marvellous stucco-work from the hand of Perino del Vaga of Florence.

Bonino da Campione, the Milanese, who may have had a hand in the Arca di S. Agostino, carved the tomb of Can Signorio. That of Mastino II. was executed by another Milanese, Perino. See Trucchi, Poesie Italiane inedite, vol. ii. See the Illustrated work, Il Tabernacolo della Madonna d'Or sammichele, Firenze, 1851.

And there, through the love that he bore to art, Perino returned to his former work of drawing and continued at it many weeks, growing more ardent every day.

There was executed at this time, by order of Pope Leo, the vaulting of the Hall of the Pontiffs, which is that through which one passes by way of the Loggie into the apartments of Pope Alexander VI, formerly painted by Pinturicchio; and that vaulting was painted by Giovanni da Udine and Perino.

In the year 1547 Perino del Vaga died, leaving unfinished the Hall of Kings, which, as has been related, is in the Papal Palace, in front of the Sistine and Pauline Chapels; and by the mediation of many friends and lords, and in particular of Michelagnolo Buonarroti, Daniello was set in his place by Pope Paul III, with the same salary that Perino had received, and was commanded to make a beginning with the ornaments of the walls that were to be executed in stucco, with many nudes in the round over certain pediments.

And thus, labouring out of emulation and in order to prove his powers and make proficience, before many months had passed Perino was held to be the first among all those who were working there, both in drawing and in colouring; the best, I say, the most perfect in grace and finish, and he who could execute both figures and grotesques in the most delicate and beautiful manner; to which clear testimony and witness are borne by the grotesques, festoons, and scenes by his hand that are in that work, which, besides surpassing the others, are executed in much more faithful accord with the designs and sketches that Raffaello made for them.

They emerged from the first room to enter a second, marked "Porcelain;" then a third, "Frescoes of Perino del Vaga," on account of the ceiling upon which the master painted a companion to his vigorous piece at Genoa- "Jupiter crushing the Giants" and, lastly, into a fourth, called "The Arazzi," from the wonderful panels with which it was decorated.

And he chose that the subject should be the Deposition of Christ from the Cross, which Perino set himself to execute with the greatest possible zeal and diligence.

And for this reason a painter ought not to desire to be away from this land in which we are; and you, M. Francisco d’Ollanda, if you hope to be appreciated through the art of painting in Spain or in Portugal, I tell you at once that you are living in a vain and false hope, and that in my judgment you ought rather to live in France or in Italy, where talent is recognised and great painting is much esteemed, because you will find here private persons and gentlemen, even those who at present do not take much pleasure in painting, as for instance Andrea Doria, who nevertheless had his palace painted magnificently, and magnificently paid Master Perino his painter; and like Cardinal Fernes, who does not know what painting is, but who made a very nice allowance to the said Master Perino, merely to call him his painter, giving him twenty ’cruzados’ per month and rations for him and for a horse and servant, besides paying him very well for his works.

Having therefore gone with M. Paolo to Rome, he found there Perino, Rosso, and others of his friends; and besides this he was able by means of M. Paolo to make the acquaintance of Giulio Romano, Sebastiano Viniziano, and Francesco Mazzuoli of Parma, who arrived in Rome about that time.

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