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Updated: May 4, 2025
"Perdoni, signori! ma ." "Well," we say sourly to each other, glancing round at the walls of the pit, on the bottom of which the bit of city stands, "it is a good thing to know that Herculaneum amounts to nothing." I have no doubt "Calm Capri waits,"
Perdoni! but she has a review in the Cascine besides, and a gallant show of some 'ten thousand men' they are said to have made of it only don't think that I and Robert went out to see that sight. We should have sickened at it too much. An amiable, refined people, too, these Tuscans are, conciliating and affectionate.
He is a mighty mass of pinguid bronze, with a fat lisp, and a broad, sunflower smile, and he lectures us with a vast and genial breadth of manner on the ruins, contradicting all our guesses at things with a sweet "Perdoni, signori! ma ." At the end, we find that he has some medallions of lava to sell: there is Victor Emanuel, or, if we are of the partito d'azione, there is Garibaldi; both warm yet from the crater of Vesuvius, and of the same material which destroyed Herculaneum.
"It is a promise," she said to the princess, rising in a sort of fascination. "I have forbidden him to unmask before supper." "Oh, very well," answered the princess, "if that is the case. But make him bring you back soon: it is almost time." "Did you hear, Mask?" asked the girl, as they waltzed away. "I will only make two turns of the room with you." "Perdoni?" "This is too bad!" she exclaimed.
I can at test my gratitude by possessing your native country of the weapon I had designed for it I am sure of the principle: some slight improvement, perhaps the use of some different explosive, would get over that difficulty you suggested," he said eagerly. "Yes, something can be done. God bless you, my dear little son I mean perdoni! my dear sir."...
She made a whole turn of the room in studying up the Italian sentence with which she assailed him: "Perdoni, Maschera; ma cosa ha detto? Non ho ben inteso." "Speak English, Mask," came the reply. "I did not say anything." It came certainly with a German accent, and with a foreigner's deliberation; but it came at once, and clearly.
Norma yields to her entreaties, but when she inquires the name and country of her lover, and Adalgisa points to Pollione as he enters Norma's sanctuary, all the priestess's love turns to wrath. In this scene the duet, "Perdoni e ti compiango," is one of exceeding loveliness and peculiarly melodious tenderness.
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