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Updated: June 19, 2025
The passageway was empty, and thus encouraged I rushed the other door. Here, again, no foe had lain in ambush. I was crouched now, sheltered by a strip of paneled wall between the two doorways. The staterooms on one side must come next, and after them the galley, with the forecastle beyond, and even beyond this, perhaps, some kind of a cuddy.
The classic balustrade, with its mahogany-capped rail and simple landing newels is heavy but well proportioned; the paneled wainscot along the wall follows the contour of the ramped rail opposite, and the under side of the landings, gallery and upper runs are nicely paneled.
There was not a soul to be seen except the mute steward who took my satchel, and guiding me below into an elegant saloon, instantly left me alone. Here again the steamer was vastly enlarged. These were not the narrow quarters of the Venice steamer, nor was this lamp, shedding a soft light on cushioned seats and paneled doors and wainscotings the sort of illumination usual in that humble craft.
Passing through the dining room, a room not very large, with dark, paneled walls, Stepan Arkadyevitch and Levin walked over the soft carpet to the half-dark study, lighted up by a single lamp with a big dark shade. Another lamp with a reflector was hanging on the wall, lighting up a big full-length portrait of a woman, which Levin could not help looking at.
Unlike the plain dado of the main hall, however, elaborated only by a molded surbase and skirting, a handsome paneled wainscot runs around the staircase hall and up the stairs. The spacing and workmanship displayed in this heavily beveled and molded paneling could hardly be better.
To complete the description I may say that the room was paneled in white, and contrary to what you might expect, the cabin was absolutely neat.
On the first floor the windows have nine-paned sashes, both upper and lower, together with nicely paneled shutters, while on the second floor the upper sashes are foreshortened to six panes, and there are neither shutters nor blinds.
"You have lived out here with two old people who belong to the past too much." The girl moved a little, and swept her glance slowly round the room. It was small and scantily furnished, though great curtains shrouded door and window, and here and there a picture relieved the bareness of the walls, which were paneled with roughly-dressed British-Columbian cedar.
Next, beyond folding doors, stood David's study, a pianoforte between the mullioned windows, a large carved center table covered with portfolios and books, the paneled walls hung with framed sheets of music written and autographed by famous composers. Upstairs, however, in her own apartment, Lilla had produced an eighteenth century air.
It was a grand, vast room, paneled in black oak, hung with somber draperies, and carpeted in rich dark Brussels. Three wax candles made white spots of light in the solemn gloom; a wood-fire burned or rather smoldered, in the wide hearth, for the vast rooms were chilly even in midsummer; but neither fire-light nor candle-light could illumine the ghostly depths of the chamber.
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