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Updated: May 23, 2025
My musicians beamed with joy all evening, and to crown all, I found waiting for me a man with long black hair, piercing eyes and wasted form. Catching my hand, he poured forth a flood of burning praise and appreciation. It was Paganini!" Paganini commissioned Berlioz to write a solo for his beautiful Strad. viola. The composer demurred for a time, and then made the attempt.
"Ah, yes, it makes me feel like other men for the time," said he, in a low voice. "Did you know that Paganini always practised on the guitar? It is true. Well, I will find out about the Liras for you in a day or two, before I leave Rome again." I thanked him and he took his leave. Benoni had made an impression on me that nothing could efface.
Yet some of these older works are by no means negligible, though of course, in all classic violin literature, from Tartini on, Kreutzer, Spohr, Paganini, Ernst, each individual artist represents his own school, his own method to the exclusion of any other.
The connecting link between Sivori and Paganini began very early in the career of the former. Indeed it is said that the excitement of his mother, on hearing Paganini play at a concert, caused the premature birth of the future disciple of the great artist. Marvellous stories are told of Sivori's infancy.
Until we heard Ole Bull, Paganini was a fabulous being of whom, as of Orpheus and Amphion, strange stories were told, which seemed rather prophecies of musical possibility than the history of actual accomplishment. Henceforth Paganini is a household god, and the old Pagans loom more distinctly through the misty centuries and wear something of the aspect of reality.
But that night, when Schmucke gave Pons an earnest of diviner symphonies, of that heavenly music for which Saint Cecile let fall her instruments, he was at once Beethoven and Paganini, creator and interpreter. It was an outpouring of music inexhaustible as the nightingale's song varied and full of delicate undergrowth as the forest flooded with her trills; sublime as the sky overhead.
At the age of nine he appeared in his first concert, given by Marchesi and Albertinatti in a large theatre at Genoa. At the age of twelve he was taken to Rolla, the celebrated violinist and composer at Parma, upon whom he made a great impression. When Paganini arrived with his father at Rolla's house they found him ill in bed, and not at all disposed to receive them.
He signified a desire to hear his pupil play once more, and Sivori, withdrawing to a room a little way off, so that the sound of the instrument would not be too loud, played whatever Paganini called for. About two weeks later Paganini died.
So he stands in the icy river, and its gloom and cold are no more bitter than the despair in his own mad heart. It is Abélard and Héloise without the love of Abélard or the joy Héloise knew for a while at least. "From this did Paganini comb the fierce Electric sparks, or to tenuity Pull forth the inmost wailing of the wire? No catgut could swoon out so much of soul!"
Less audaciously inventive and extravagant than Paganini, he was sounder in taste, and, in his music, with no lack of fantasy, more scientific in construction.... The secret, however, of Ernst's success, whether as a composer or a virtuoso, lay in his expressive power and accent. There has been nothing to exceed these as exhibited by him in his best days.
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