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Updated: June 10, 2025


Add to these results of Ovid's contemplated marriage the loss of a thousand a year, secured to the guardian by the Will, while the ward remained under her care and the statement of disaster would be complete. "We must leave this house, and submit to be Lady Northlake's poor relations there is the price I pay for it, if Ovid and Carmina become man and wife."

Young David had once asked me to read Ovid's Elegiacs with him, and this was the beginning of our closer acquaintance. In town, in the Winter, we two younger ones were only rarely with the rest of the family, but in Summer it was different.

From Egypt the Lotus was carried to Assyria, and Layard found it among fir-cones and honeysuckles on the later sculptures of Nineveh. The Greeks dedicated it to the nymphs, whence the name Nymphaea. Nor did the Romans disregard it, though the Lotus to which Ovid's nymph Lotis was changed, servato nomine, was a tree, and not a flower.

Apart from his single tragedy, from a few didactic or mock-didactic pieces, imitated from Alexandrian originals, and from his great poem of the Metamorphoses, the whole of Ovid's work was executed in the elegiac couplet. His earliest poems closely approximate in their management of this metre to the later work of Propertius.

The guests were Lord and Lady Northlake; Maria and Zo; Miss Minerva and Mr. Mool. Mr. Gallilee was present as one of the household. While he was in London, he and his children lived under Ovid's roof. When they went to Scotland, Mr. He and Zo drank too much champagne at dinner. The father made a speech; and the daughter sang, "We're gayly yet."

To begin with, he had kept the door of the room open, and had remained standing. "Have you got Ovid's letters? Leave them here; I'm not fit to look at them now." Those were his first words. There was nothing in the letters which a friend might not read: she accordingly consented to leave them. The doctor had expressed his sense of obligation by bidding her get into her carriage again, and go.

Another was MACER, whose ambition led him to group together the epic legends antecedent and subsequent to those narrated in the Iliad and Odyssey. There was a Pompeius Macer, an excellent man, who with his son committed suicide under Tiberius, his daughter having been accused of high treason, and unable to clear herself. The son is probably identical with this friend of Ovid's.

The poems of the years of Ovid's exile, the Tristia and the Letters from Pontus, are a melancholy record of flagging vitality and failing powers. His adulation of the Emperor and the imperial family passes all bounds; it exhausts what would otherwise seem the inexhaustible copiousness of his vocabulary.

Gallilee's overflowing geniality instantly flooded the absent doctor. He was rude, he was ugly; but what an inestimable friend! what admirable advice! In Ovid's state of health he must not write letters; his mother would write and thank the doctor, and ask for introductions to local grandees who occupied a position in colonial society.

"Slick enough to take care of Ovid and sheep like him but I can't help thinking he's a sheep himself." "He got Ovid's three thousand, or Ovid 'u'd 'a' come back Sunday night.... Got to find Ovid and got to git that money back." "I've an idea Ovid's right in town. If you're suspicious, and keep your eyes open, you can tell when something's going on.

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