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Updated: June 13, 2025


The group of Laocoon appeals at once to a reader of Virgil, and the divine vengeance of Leto's children upon Niobe is manifest in the Uffizzi marbles. But who are the several heroes of the Æginetan pediment, and what was the subject of the Pheidian statues on the Parthenon?

"Little Lord Chepstow?" repeated Cleek, glancing over at the countess, who stood, a very Niobe in her grief and despair, holding out two imploring hands in silent supplication. "That is your ladyship's son, is it not?" "Yes," she answered, with a sort of wail; "my only son my only child. All that I have to love, all that I have to live for in this world."

But think of the wholesale adaptation of their names, by Dionysiuses, Hephaestions, Zenos, Posidoniuses, Hermaeuses. Leto, wife of Evagoras, King of Cyprus, even dispensed with adaptation; but her divine namesake, who could have turned her into stone like Niobe, took no offence.

The mobile features which had just smiled so radiantly expressed mortal terror, and the pirate, to whom even the name "Niobe" was unfamiliar, looked around him for the terrible danger threatening the innocent child, from which the woman on the pedestal was protecting it with loving devotion.

From the episode of Niobe down to the best song in the "Princess," how many beautiful lines have been devoted to those outward and visible signs of sorrow? Sadder elegiacs, more pathetic threnodies might have been written on the tears that were stifled at their source, either from pride or from physical inability to let them flow.

Not hard and unfeeling, nor giving up love itself, on the contrary the Soul displays in pain this love alone, as the sentiment that outlasts sensuous existence, and thus raises itself above the ruins of outward life or fortune in divine glory. It is this expression of the Soul that the creator of the Niobe has presented to us.

The very room in which Midwinter then stood was described with the view on the garden, the window made to open on it, the bookshelves, the Niobe, and other more perishable ornaments which Time had destroyed.

She could hardly think it possible; she was indignant that the gods had dared and amazed that they had been able to do it. Her husband, Amphion, overwhelmed with the blow, destroyed himself. Alas! how different was this Niobe from her who had so lately driven away the people from the sacred rites, and held her stately course through the city, the envy of her friends, now the pity even of her foes!

Such is the ideal of human beauty according to which the antique conceptions were formed, and we see it in the divine forms of a Niobe, of the Apollo Belvedere, in the winged Genius of the Borghese, and in the Muse of the Barberini palace.

Ilioneus, the son of Niobe, is represented as kneeling, apparently in the moment in which Apollo raises his arrow, and there is an imploring supplication in his attitude which is touching in the highest degree. His beautiful young limbs seem to shrink involuntarily from the deadly shaft; there is an expression of prayer, almost of agony, in the position of his body. It should be left untouched.

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