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The little huipíl, worn upon the upper body, is of thin, white cotton cloth, native-woven, but a neat and pretty stuff; there are no sleeves, and the neck-opening and arm-slits are bordered with pleated strips of cotton, worked with black embroidery. A larger huipíl is regularly carried, but we never saw it in use; practically, it never is worn.
The appearance in question consisted of a very small round white spot, around which there was a slight equally circular redness. It was situated nearly in the middle of the body, just below the meeting of the ribs on the chest, about a broad hand's breadth above the waistband in such a position, in short, as to be very nearly at the point where the neck-opening of the dress ceased.
Only at church or on some important or ceremonial occasion is the huipíl worn as it was meant to be. Usually at church the wearer draws the garment over her upper body, but does not put her arms into the sleeves, nor her head through the neck-opening, simply fitting her face into this in such a way that it appears to be framed in a broad, oval, well-starched border of pleated lace.
It is a coat of immense character when properly worn, and I was delighted to observe in the trying on that Cousin Egbert filled it rather smartly. Moreover, he submitted more meekly than I had hoped. The trousers I selected were of gray cloth, faintly striped, the waistcoat being of the same material as the coat, relieved at the neck-opening by an edging of white.
I am waiting for her, after that prayer. Slowly I stroll to the river bank. When I return some one is on the seat, enthroned in the shadow. The face is indistinct, but in the apparel of mourning I can see the neck-opening, like a faint pale heart, and the misty expansion of the skirt. Stooping, I hear her low voice, "I've come, you see." And, "Marie!" I say.
If put in place, it would form a garment for the body, with the neck-opening and sleeves bordered with lace, and the lower edge reaching to the knees. The woman carries this garment with her, folding it into a sort of pad, which she places on her head, letting it hang down upon the back and shoulders.
This was a long, loose garment of Royal blue satin, with a wide neck-opening, the opening bound with a wide gold band. The Robe was slipped over the head, and it dropped to the feet of the High-priest. Upon the lower hem of the Robe was a rich, deep fringe of alternate blue, purple, and scarlet tassels made in the form of pomegranates. Between each pomegranate was a golden bell.
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