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Updated: May 18, 2025


That, of course, it would be madness to count on; but he had some hopes from the sudden and extraordinary transformation of The Museion.

Rash as this resolution seemed, Jewdwine had fenced himself carefully from any risk. The arrangement was not to be considered permanent until Rickman had proved himself both capable and steady if then. In giving him any work at all on The Museion Jewdwine felt that he was stretching a point. It was a somewhat liberal rendering of his editorial programme.

As sub-editor and contributor to The Museion, he was drawing two small but regular incomes. He found it easy enough to work for both. The Planet was poor, and it was out of sheer perversity that it indulged a disinterested passion for literature. In fact, Maddox and his men were trying to do with gaiety of heart what Jewdwine was doing with superb solemnity.

It amounted to a positive obsession, the tyranny of a cold and sane idea. He knew perfectly well now what his position as editor of The Museion was worth. Compared with that great, that noble but solitary person, even Maddox had more power. But the editor of Metropolis, by a few trifling concessions to the spirit of modernity, would in a very short time carry all before him.

The Museion was on the eve of a revolution, and to Jewdwine as its editor Rickman the journalist had suddenly become invaluable. The revolution itself was not altogether sudden. For many months the behaviour of The Museion had been a spectacle of great joy to the young men of its contemporary, The Planet.

He advised the first Ptolemy to found a building where poets, scholars, and philosophers would have facilities for study, research, and speculation. The Museion was similar in some respects to the Academy of Plato. It was an edifice where scholars lived and worked together. Mental qualification was the only requirement for admission.

They used it chiefly as a place to talk in, for which purpose little illumination was required. To-night one of the windows in question was occupied by a small group of talkers isolated from the rest. There was Mackinnon, of The Literary Observer. With them, but emphatically not of them, was Horace Jewdwine, of Lazarus, who had come up from Oxford to join the staff of The Museion.

"Rickman," he said, "you shall not go over body and soul to The Museion." He regarded himself as the keeper and lover of Rickman's soul, and would not have been sorry to bring about a divorce between it and Jewdwine. His irregular attentions were to save it from a suicidal devotion to a joyless consort.

To the Museion were attached the libraries: one in the Museion itself, and another in the quarter Rhacotis in the temple of Serapis, which contained about 700,000 volumes. New books were continually acquired. The librarians had orders to pay any sum for the original of the works of great masters. The Ptolemies were not only patrons of learning but were themselves highly educated.

In the present state of literature a review like The Museion has no reason for its existence." "I don't know. It was a very useful protest against some forms of modernity." "My dear fellow, modernity simply means democracy. And when once democracy has been forced on us there's no good protesting any longer." "All the same, you'll go on protesting, you know." "As a harmless private person, yes.

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