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Professor Tarchanoff made use of the ergograph of Mosso, and found that if the fingers were completely fatigued, either by voluntary efforts or by electric excitation, to the point of being incapable of making any mark except a straight line on the registering cylinder, music had the power of making the fatigue disappear, and the finger placed in the ergograph again commenced to mark lines of different heights, according to the amount of excitation.

Thus Professor Mosso points out that in the animal organism there exists a number of harmful reactions that increase in number the graver the peril becomes. We have all read of the "fascination" of the bird by the serpent, and there are other animals that in the presence of an enemy become so palsied with fear as to become incapable of defence, even that of flight.

From the piu mosso the agitation increases, and here let me call to your notice the Beethoven-ish quality of these bars, which continue until the change of signature. There is a surprising climax followed by sunshine and favor in the D flat part, then after mounting dissonances a bold succession of octaves returns to the feverish plaint of the opening.

The trumpets are capable of even less variety of expression than the horns, as their individuality is even more strongly marked. How entirely that character is conditioned by the mechanism of the instrument may be illustrated by an example. The third movement of Beethoven's seventh symphony contains an interlude molto meno mosso.

"Guarde pur come è bello quel cavallo Leonardo Vinci a farli sol s'è mosso Statura bon pictore, e bon geometra Un tanto ingegno rar dal ciel s'impetra." So Baldassare Taccone sang in his poem on Bianca's wedding, while a greater scholar, Lancinus Curtius, recorded the completion of the long-expected work in the following epigram:

Phæstos and Hagia Triada, we must remember, owing to their position, would be more exposed to Egyptian influence than even Knossos, where traces of it are not lacking. The villa at Hagia Triada showed the same attentive care for sanitary arrangements which has been already noticed at Knossos. Mosso has noted an illustration of the honesty with which the work had been executed.

Numerous and well-known physiological researches, especially those of Mosso, show that all intellectual, and, most of all, emotional, work, produces cerebral congestion; that the brain-volume increases, and the volume of the peripheral organs diminishes. But that tells us nothing particularly about the imagination, which is but a special case under the rule.

The theory of the origin of sleep which has gained the widest credence is the one that attributes it to anæmia of the brain. It has been shown by Mosso, and many others, that in men with defects of the cranial wall the volume of the brain decreases during sleep. At the same time, the volume of any limb increases as the peripheral parts of the body become turgid with blood.

The dreamy triplet passages of the poco a poco piu mosso are comparable to galleries that connect the various blocks of buildings. The principal subject, or accumulation of themes, recurs again and again in different keys, whilst other subjects appear only once or twice between the repetitions of the principal subject.

Imoda, the assistant of Professor Mosso, has also conducted a number of experiments in the discharge of an electroscope, by means of "rays" issuing from the medium's body.