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"And, as you know, that is his house across the street from us, and it was his father's house, and his grandfather's house; and before that, the Morans lived in Winckle Street; and before that, in the Lady's Valley; so, then, when Van Clyffe built this house for them, they only came back to their first home. Yes, it is so. The Morans have seen the birth of this city.

The Parmalees would come up for a visit, and the Morans would come. Jack Torrence, spoiled out of all reason, would promise a week and come for two days; Porter Pinckard would compromise upon a mere hour or two, charging into the camp in his racing car, introducing hilarious friends, accepting a sandwich and a bottle of beer, and then tearing off again.

Gallery 64 contains historical American paintings that range through the latter half of the last century and into this, with such well-known names as Parrish, Gifford, Hunt, Wylie, Martin, the Morans, Eakins, and even the more recent Frederic Remington. Passing through room 65, one should next go to 54.

It ain't until they've climbed the stairs and walked in the studio door, though, that I even had a glimmer as to who they was. But one glance at them black eyes of the lady's was enough. "Well, I'll be singed!" says I. "The Morans!" "Of London and Paris," adds Millie. "Gwan!" says I. "Show him, Tim," says she.

And perhaps a word might be said in this place of some of the other Irishmen who made their home in America: of Hoban the architect who designed the White House at Washington, modelling it after Leinster House in Dublin; of painters like Charles Ingham, W.G. Wall, William Magrath, the Morans, James Hamilton, and Thomas Hovenden; and of sculptors like John Donoghue, John Flanagan, Andrew O'Connor, John F. Kelly, Jerome Connor, John J. Boyle, and Martin Milmore.

"I know," says he. "And really, McCabe, I've never had a hand in anything which has given me so much genuine pleasure. It it's weird, you know. I can't think what's happening to me." "Maybe," says I, "you're sproutin' a soul." Kind of odd the way the Morans and Elisha Porter Bayne coincided.

He remembered that the Morans were of French extraction; and he answered "After all, father, we must judge people individually. Mere race is not much." "George Hyde! What are you saying? RACE is everything. It is the strongest and deepest of all human feelings. Nothing conquers its prejudices." "Except love.

When those redcoats went away forever from New York, the Morans came back here, but the little girl they left in the school at Bethlehem, where those good Moravian Sisters have made her so sweet as themselves; so pure! so honest-hearted! so clever!

Then Agatha remembered the task she had in hand. It was a very inauspicious moment to set about it, but that could not be helped, and even for the man's own sake she felt that she must win him over. "There is one way, Gregory, in which I don't think it ought to be done," she said. "Yon took over Wyllard's obligations when you took the farm, and I think you should keep the two Morans on."

Nearly all the male members of the English party had crowded into the smoking-rooms of the sleepers to enjoy their pipes. Patsy, after working the train, sat down to visit with the Morans. The old engineer had been hurt in a wreck and the company had generously given him a two months' leave of absence, with transportation and full pay, and he was going to spend the time in Southern California.