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Updated: June 1, 2025


Christians ought to be able to see through and behind the dirty and sinful ways in which people live, and recognize them as symptoms of a spiritual condition that calls for that which God is trying to give them through us. It is tragic that some would-be Christians, like Mrs. Strait, become so moralistic that they condemn rather than help people.

A narrow and moralistic view of morals is responsible for the failure to recognize that all the aims and values which are desirable in education are themselves moral. Discipline, natural development, culture, social efficiency, are moral traits marks of a person who is a worthy member of that society which it is the business of education to further.

It wasn't new, singular, in him; nor had he borrowed it from any book or philosophy: it had so happened that he had never read a paragraph, satisfactory to him in the slightest, about the emotional sum of a man and a woman. What he read he couldn't believe; it was a paste of moralistic lies; either that or the writer had no greater power of explication than he.

Whittier well, all of them have fallen more or less under the moralistic influence of the country." "That is what I like about Douglas," I said. "He is not a humbug. I like his ironical voice against all these silly movements, like liquor laws; these ideas like God in the little affairs of men; all this barbarism which breaks into religious manias; all these half-baked reformations.

So we see concretely two types of religion in sharp contrast. Using our old terms of comparison, we may say that the absolutistic scheme appeals to the tender-minded while the pluralistic scheme appeals to the tough. Many persons would refuse to call the pluralistic scheme religious at all. They would call it moralistic, and would apply the word religious to the monistic scheme alone.

Instead, therefore, of saying that art should be moral, we should rather say that all true morality is art that art is the test of morality. To attempt to make this heavenly Pegasus draw the sordid plough of our selfish moralistic prejudices is a grotesque subversion of true order. Why should the novelist make believe that the wicked are punished and the good are rewarded in this world?

The minor English and American poets of the seventeenth and eighteenth centuries were never weary of speaking of satire as a terrific weapon which they were forced to wield as saviors of society. But whether they belonged to the urbane school of Horace, or to the severely moralistic school of Juvenal, they soon found themselves falling into one or the other of two modes of writing.

The lives of moralistic people are not beautiful to behold. They are apt to be conventional, legalistic, and maintainers of the status quo. Because they have no sense of deliverance themselves, they are apt to be ungracious in relation to others.

Finally, an aesthetic consensus is possible only if non-aesthetic standards and all judgments based on false conceptions of the purpose of art are eliminated. Some of these judgments I have already discussed the scientific and the moralistic. The purpose of art is sympathetic vision, not scientific truth or edification.

But these desiderata which I have named are all prices either of ordinary use, of comfort, or felicity; and it is generally understood that happiness is costly: but virtue? Virtue, so far from costing anything, is often supposed to be itself a price that you pay for happiness. It is told us that we shall be rewarded for our virtue; what moralistic commonplace is more common than this?

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