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It is well to study one wall, A perhaps, and then to go to the Redfield and Hassam rooms, and then to the group of Monets, to see the various ways in which Impressionism has spread. Gallery 26-Whistler.

By the side of the finest Renoirs, Monets and Manets they kept their charm and their brilliancy with a singular flavour, and this was for many critics a revelation as to the real place of this artist, whom they had hitherto considered as a pretty colourist of only relative importance. Paul Cézanne, unknown to the public, is appreciated by a small group of art lovers.

That white quivering sunlight that one sees now in France, with its strange blotches of mauve, and its restless violet shadows, is her latest fancy, and, on the whole, Nature reproduces it quite admirably. Where she used to give us Corots and Daubignys, she gives us now exquisite Monets and entrancing Pissaros.

The masters who have thus fallen under the ban of official displeasure are Manet, Monet, Pissarro, Renoir, Sisley, and Cézanne the latter represented by two of the most veracious fruit-pieces I ever saw. The Monets are of rare quality. The nation that produced such world masters as Albrecht Dürer, Hans Holbein, Lucas Cranach, and the German Primitives has seemingly lost its lien in sound art.

He is an innovator who has carved a sure place for himself by adding a new vigor to the methods of the original Impressionists. Such decorative canvases as 2033 on wall B, and such delicate ones as 2029 on wall D, should be compared with the Monets in room 61. Gallery 79-Chase. This room is designed to show the work of an American who was greatly influenced by the Munich School of painters.

Let us enjoy our Monet without too many "mole runs." As De Kay pointed out, it was not necessary for Monet to go to London to see Constables. In the Louvre he could gaze upon them at leisure, also upon Bonington; not to mention the Venetians and such a Dutchman as Vermeer. It is therefore doubly interesting to study the Monets at Durand-Ruel's. There are twenty-seven, and they range as far back as 1872, Promenade

Then the merits of the picture strike you as having been obtained by excessive accomplishment in one-third of the handicraft and something like a formal protestation of the non-existence of the other two-thirds. Since that year I have seen Monets by the score, and have hardly observed any change or alteration in his manner of seeing or executing, or any development soever in his art.

Where she used to give us Corots and Daubignys, she gives us now exquisite Monets and entrancing Pissaros. Indeed there are moments, rare, it is true, but still to be observed from time to time, when Nature becomes absolutely modern. Of course she is not always to be relied upon. The fact is that she is in this unfortunate position.

For the benefit of his walls and the four lovely Monets which Monty had purchased at his instigation, he had designed a ceiling screen of heavy rich glass in tones of white that grew into yellow and dull green. It served to conceal the lights in the daytime, and at night the glare of electricity was immensely softened and made harmonious by passing through it.