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By the side of the finest Renoirs, Monets and Manets they kept their charm and their brilliancy with a singular flavour, and this was for many critics a revelation as to the real place of this artist, whom they had hitherto considered as a pretty colourist of only relative importance. Paul Cézanne, unknown to the public, is appreciated by a small group of art lovers.
And whenever the French have been given a musical art of their own, whenever a composer comparable to the Goujons and Montaignes, the Renoirs and the Baudelaires has made his appearance among them, they generally have been swift to turn from him and to prefer to him not only foreigners, which would not necessarily be bad, but oftentimes the least respectable of musicians.
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