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Updated: May 28, 2025
Boito thinks like a symphonist, and his purpose is profoundly poetical, but its appreciation asks more than the ordinary opera-goer is willing or able to give. Bayard Taylor's Translation. "Mefistofele" had its first performance in New York at the Academy of Music on November 24, 1880. Mlle.
At the end she draws back in horror from Faust, after uttering a prayer above the music of the celestial choir, just as the executioner appears. Mefistofele pronounces her damned, but voices from on high proclaim her salvation.
By her he has a son, whom he calls Justus Faustus, but in the end, when Faustus loses his life, mother and child vanish. Goethe uses the scene of the amour between Faust and the ancient beauty in the second part of his poem as does Boito in his "Mefistofele," charging it with the beautiful symbolism which was in the German poet's mind.
Between Spohr's "Faust," written in 1813 and performed in 1818, and Boito's "Mefistofele," produced in 1868, many French, German, English, Italian, Russian, and Polish Faust operas have come into existence, lived their little lives, and died.
Rapid syllabication is also a characteristic of the song of the witches in the scene on the Brocken; but the witches sing in octaves and fifths except when they kneel to do homage to Mefistofele; then their chant sounds like the responses to John of Leyden's prayer by the mutinous soldiers brought to their knees in "Le Prophete."
For this reason or a better, he begged Nesta to supplant the flute duet with the soprano and contralto of the Helena section of the Mefistofele, called the Serenade: La Luna immobile. She consulted her mother, and they sang it. The crowds below, swollen to a block of the street, were dead still, showing the instinctive good manners of the people.
The first representation of the opera at the Metropolitan Opera-house took place on December 5, 1883, when, with one exception, the cast was the same as at the first performance in London, at Her Majesty's Theatre, on July 6, 1880 namely, Nilsson as Margherita and Elena, Trebelli as Marta and Pantalis, Campanini as Faust and Mirabella as Mefistofele.
Faust lies sleeping upon a flowery bank, and in his dreams calls upon Helen in the intervals of her song. Helen and Pantalis depart, and Faust is ushered in by Mefistofele. He is clad in his proper mediaeval garb, in strong contrast to the classic robes of the denizens of the valley in Thessaly. Mefistofele suggests to Faust that they now separate; the land of antique fable has no charm for him.
One of the musical pieces which the poet composed for this last opera found its way into "Mefistofele," for which work "Ero e Leandro" seems to have been abandoned. He also translated Wagner's "Tristan und Isolde" into Italian.
Arrigo Boito, to whom the University of Cambridge accorded the honour of an honorary degree in 1893, has written but one opera, 'Mefistofele, but his influence upon modern Italian music must be measured in inverse ratio to his productive power.
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