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Updated: May 9, 2025
And in sweeping away the pessimistic terrors of mankind, it swept away, by what is at least a strange coincidence, the nightmare sculpture of the old Lombard stonemasons. What the things were which made room for the carved virgins and saints, the lute-playing angels and nibbling squirrels and twittering birds of Gothic sculpture, I wish to put before the reader in one significant example.
The interior of the church, considered the finest of the period in Istria, was recast in 1741 by the Venetian engineer Giorgio Massari. Under the last arch of the nave to the right is a picture by Vittore Carpaccio, signed and dated 1516 a Madonna and Child enthroned upon a damask-hung seat raised on five steps, which are covered with an Oriental carpet. Upon the steps saints are ranged, SS. Jerome, Roch, and an old man to the left perhaps Zacchariah or Joseph; SS. Sebastian, George, and a bishop to the right probably S. Louis of Toulouse: at the bottom a little lute-playing angel sits, flanked by two amorini on a lower level with white drapery. The Virgin is seated in an arched vestibule with a flat ceiling through which the sky and trees are seen. It was restored in 1829. Another picture from S. Nicolò near the port shows the Virgin with SS. Nicholas of Bari and John the Baptist. The organ wings were painted by Vittore's son Benedetto in 1538, and two other pictures of his are affixed to the west wall. The subjects are the Slaughter of the Innocents and the Presentation in the Temple. Other pictures by him are a Coronation of the Virgin, in the communal palace, signed and dated 1537, his earliest known picture; the Virgin between SS. James and Bartholomew, 1538; and the town damaged by a sea-storm. In Santa Anna is a picture of the Name of Jesus adored by SS. Paul, John the Baptist, Francis, and Bernardino, and surrounded by cherubs' heads. In the communal palace an indifferent picture of the entrance of a podest
He was himself, in his early years, one of those glorious youths who have the genius of charm and comeliness, of grace and strength and the arts. He excelled at football as in lute-playing.
They answered, "Would Allah this might be on wake!"; and as they were talking, behold, in came one of the Caliph's maidservants and whispered him; so he rose from his throne and entered the Serraglio; for the whisper had said, "Of a truth we heard singing and lute-playing in Mahbubah's chamber and we knew not what this meant."
Then there were Kauffmann nymphs garlanding the altar of Love; a Veronese supper, all sheeny textures, pearl-woven heads and marble architecture; and a Watteau group of lute-playing comedians, lounging by a fountain in a sunlit glade.
Woman, so long regarded as a soulless animal, born only to drag men down, was being transfigured into an immaculate goddess, an angel in human shape, whose business was man's reformation, whose right was man's worship. That cult of Woman had been invented by the lute-playing nobles of Provence. But quickly it had begun to spread from court to court, from one land to another.
Indeed, since the day of the lute-playing, he fancied she shunned him and treated him coldly. But as Sidonia had observed particularly, that whenever the young Prince passed her in the gallery he cast down his eyes and sighed, she took another way of managing him.
You have doubtless heard her singing, her harp and lute-playing, but you should know that all the ladies of the Hoogstraten family, with the exception of my mistress, possess a special talent for your art. In summer we lived in the beautiful country-house, that was torn down before the siege by your friends with little justice I think. Many a stately guest rode out to visit us.
You have doubtless heard her singing, her harp and lute-playing, but you should know that all the ladies of the Hoogstraten family, with the exception of my mistress, possess a special talent for your art. In summer we lived in the beautiful country-house, that was torn down before the siege by your friends with little justice I think. Many a stately guest rode out to visit us.
On a long cart, drawn by powerful stallions, appeared a gigantic firmament in the shape of a hemisphere, on whose upper surface the sun, moon, and stars were seen shining in radiant light. The moon passed through all her changes, the sun and planets moved, and from the dome echoed songs and lute-playing, which were intended to represent the music of the spheres.
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