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"L'Esclave de Camoens" appeared in Paris in 1843; "Stradella," rewritten as an opera, in Hamburg ; "L'Âme en peine," in Paris ; "Martha," in Vienna . The works of his later period, which never equalled his earlier ones in popularity, were "Die Grossfürstin" ; "Indra" ; "Rubezahl" ; "Hilda" ; "Der Müller von Meran" ; "La Veuve Grapin" ; "L'Ombre" ; "Naïda" ; "Il Flor d'Harlem" ; and "Enchanteresse" . Of these later works, "L'Ombre" was the most successful, and was received with favor in France, Italy, Spain, and England, in which latter country it was performed under the title of "The Phantom."
Selon l'esclave renégat, celle de Médine doit annuellement être compossée de sept cent mille personnes; et quand ce nombre n'est pas complet, Dieu; pour le remplir, y envoie des agnes. Au grand jour du jugement Mahomet fera entrer en paradis autant de personnes qu'il voudra, et la ils auront
"Il n'existe a la verite aucune loi qui protege l'esclave le mauvais traitement du maitre," says Achille Murat, himself a Floridian slave- holder, in his late work on the United States. Gentlemen, is not this true? Does there exist even in Virginia any law limiting the punishment of a slave?
"Il n'existe a la verite aucune loi qui protege l'esclave le mauvais traitement du maitre," says Achille Murat, himself a Floridian slave- holder, in his late work on the United States. Gentlemen, is not this true? Does there exist even in Virginia any law limiting the punishment of a slave?
This she obtained, but with that moderation which the work deserved. She besides had with it the information I thought it my duty to give her, that her piece, entitled 'L'Esclave Genereux', greatly resembled the English tragedy of 'Oroonoko', but little known in France, although translated into the French language.
It was a bold idea, but the result proved that Antoine Court was justified in entertaining it. "Ci gist le mari de Thérèse De la Montespan le Mignon, L'esclave de la Maintenon, Le valet du père La Chaise." At the death of Louis XIV., Voltaire, an élève of the Jesuits, was appropriately coming into notice.
We have invited him frequently, and when we are at Petit Val he comes often out to see us, and luxuriates in the repose and comfort of our life here. He has already written some lovely songs under its influence. He composed one called "l'Esclave," and dedicated it to me for my birthday. He accompanies me as no one has ever done before.
This she obtained, but with that moderation which the work deserved. She besides had with it the information I thought it my duty to give her, that her piece, entitled 'L'Esclave Genereux', greatly resembled the English tragedy of 'Oroonoko', but little known in France, although translated into the French language.
She rooted up some charity as an excuse for giving a theatrical performance, and obtained the theater of the Conservatoire and the promise of the Empress's presence. She chose two plays, one of Musset and the other, "l'Esclave," of Moliere and asked me to take part in this last one. "Oh," I said, "I cannot appear in a French play; I would not dare to."
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