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Updated: June 4, 2025
There is the cathedral which contains the work of many centuries; there is the beautiful and inspiring church of St Ouen; there is the archway of the Grosse Horloge; there is the crypt of the church of St Gervais, that dates from the dim fifth century; and there are still in the narrow streets between the cathedral and the quays along the river-side, many tall, overhanging houses, whose age appears in the sloping wall surfaces and in the ancient timbers that show themselves under the eaves and between the plaster-work.
He had studied it carefully, and it did not, this dull afternoon in September, hold his interest long; he sauntered on, not feeling strong enough to light a cigarette. Decidedly, Rouen was become tiresome. He would go back to Paris by the evening train or to Dieppe, thence to London, on the morning boat. Presently he found himself nearing the Porte de la Grosse Horloge.
It is the ancient Curfew, and the Tower de la Grosse Horloge is nothing more than the historic belfry of Rouen, although one might imagine by the way it stands over the street on an elliptical arch, that it had formed one of the gates of the city. At the foot of the belfry is one of those richly sculptured fountains that are to be seen in two or three places in the older streets.
Outside the street was filling with the morning traffic, and the two walked up the slight hill to the accompaniment of a running fire of comments and explanations from Jenks, "That's Cox's useful place for the first half of a month, but not much use to me, anyway, for the second.... You ought to go to I that shop and buy picture post-cards, padre; there's a topping girl who sells 'em.... Rue de la Grosse Horloge you can see the clock hanging over the road.
The other is the Grosse Horloge and if there had been space for a third it would have shown something of the interior of the church of St Ouen. The view of the city from the hill of Bon Secours forms another imposing feature, but I think that it hardly equals what we have already seen on the road from Caudebec.
It is the ancient Curfew, and the Tower de la Grosse Horloge is nothing more than the historic belfry of Rouen, although one might imagine by the way it stands over the street on an elliptical arch, that it had formed one of the gates of the city. At the foot of the belfry is one of those richly sculptured fountains that are to be seen in two or three places in the older streets.
There is the cathedral which contains the work of many centuries; there is the beautiful and inspiring church of St Ouen; there is the archway of the Grosse Horloge; there is the crypt of the church of St Gervais, that dates from the dim fifth century; and there are still in the narrow streets between the cathedral and the quays along the river-side, many tall, overhanging houses, whose age appears in the sloping wall surfaces and in the ancient timbers that show themselves under the eaves and between the plaster-work.
In this interesting portion of the city you come across the marvellously rich Grosse Horloge already mentioned. A casual glance would give one the impression that the structure was no older than the seventeenth century, but the actual date of its building is 1529, and the clock itself dates from about 1389, and is as old as any in France.
It may not be uninteresting to see an inventory of her few possessions which she sent to her spiritual director. A Roman Breviary, which she recited daily, and which she understood, having learnt Latin in her childhood; an Imitation; an abridgment of the Saints' Lives; a little book culled Horloge du Coeur, and another of Devotions to the Blessed Sacrament. Such was her library.
Twist as I will my memory, I cannot recall that Molly of six months ago, whose hours and days passed and dropped all alike, all lifeless, just like the slow tac, tac, tac of our great horloge in the Refectory, and were to go on as slow and as alike, for ever and ever, till she was old, dried, wrinkled, and then died.
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