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With his back against the stairs, Hassam hewed at the monk with his scimitar; he had done as well had he essayed to fell an oak with a single blow. Up over him rushed the giant, to the balcony above, where Abul Malek and his daughter stood at bay in the trap of their own manufacture. There, in the glare of the mounting flames, Fray Joseph sank his mighty fingers through the Moor's black beard.

Pissarro, Sisley, Cézanne are impressionists, and in America there is no impropriety in attaching this handle to the works of Twachtmann, J. Alden Weir, W.L. Metcalf, Childe Hassam, Robert Henri, Robert Reid, Ernest Lawson, Paul Cornoyer, Colin Campbell Cooper, Prendergast, Luks, and Glackens. But Manet, Degas!

Childe Hassam's lunette, said to represent "Fruit and Flowers," is almost anaemic alongside Mathews' fullness of expression. Nobody ever suspected Childe Hassam of being a decorator, no matter how admittedly important a place he holds in the field of easel painting. The composition of his decorations is frugal in every sense, largely owing to the small scale of his figures.

Abul Malek led, seated upon an Arabian steed whiter than the clouds which lay piled above the westward mountains. His two sons, Hassam and Elzemah, followed astride horses as black as night horses the distinguished pedigrees of which were cited in the books of Ibn Zaid. Back of them came one hundred swarthy warriors on other coal-black mounts, whose flashing sides flung back the morning rays.

Redfield has modified Impressionism, clinging to a certain reality, and yet achieving the sparkling atmospheric effects of the luminists. Gallery 89-Tarbell. In contrast to Hassam and Redfield and Twachtman is Edmund C. Tarbell, who has taken but little from the Impressionist group.

In "Fruits and Flowers" Childe Hassam had done one of his purely decorative pictures, without a story, contenting himself with graceful pictures and delicate color scheme. Charles Holloway made "The Pursuit of Pleasure" frankly allegorical, the floating figure of the woman pursued by admiring youths.

Here are representative works by Gari Melchers, a famous American who has long lived abroad. Unmistakably these canvases are from a masterly brush; but the coloring is not always good, and the room is somewhat disappointing. Gallery 78-Hassam. By common consent Childe Hassam is considered the greatest American follower of Impressionism.

Hassam and Mr. Weir. But Mr. Hassam, at his best, is a designer with a sense of balance and of classic grace almost equal to that of Corot, and he often uses the impressionist method to express otherwise the delicate shimmer of thin foliage that Corot loved.

In the arch of the doorways, are three fine mural paintings, harmonizing in subject and coloring with the spirit of the Court "Fruit and Flowers," by Childe Hassam, on the West, "The Pursuit of Pleasure," by Charles Holloway, on the east and "The Victorious Spirit," by Arthur F. Mathews, on the north. Court of Palms Italian Tower from Main Portal

One, over the door of the Palace of Education, is entitled "Fruits and Flowers," by Childe Hassam. It is a triumph of straight line applied to the female form. Over the door of the Palace of Liberal Arts is "The Pursuit of Pleasure," ascribed to Charles Holloway. The figures are gracefully drawn, the coloring flowery.