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Updated: April 30, 2025
Pissarro, Sisley, Cézanne are impressionists, and in America there is no impropriety in attaching this handle to the works of Twachtmann, J. Alden Weir, W.L. Metcalf, Childe Hassam, Robert Henri, Robert Reid, Ernest Lawson, Paul Cornoyer, Colin Campbell Cooper, Prendergast, Luks, and Glackens. But Manet, Degas!
Here are canvases by Glackens, Sloan, and Breckenridge, rather disappointing to one who has watched hopefully the movement they represent. Certainly their exhibits are suggestive of a rather undisciplined vigor and freedom. On wall C the five canvases in the lower row are by Robert Henri. They are the experiments of a master, rather than his best works.
Staring things by John Sloan, William J. Glackens, Adolphe Borie, and Arthur B. Caries are relieved by H. H. Breckinridge's highly colored fruits and flowers, Gertrude Lampert's "Black and Green," Thomas Anshutz' two studies of women, and several of Robert Henri's strong figure pieces.
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