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"But I should think he would have been compelled to have more room." "I fancy his quarters were not ideal and were pretty cramped. He could have got on well enough had he been making shelf clocks that vibrated only half-seconds, like those of Eli Terry; but he had given up making those when he left Grafton.

"Did he never make any more clocks with wooden works?" inquired Christopher. "Oh, yes, indeed! By 1814 he had worked out a fresh model of a wooden clock that he liked much better than his first. This one vibrated half-seconds and accordingly could be made with a pendulum short enough for the timepiece to be placed on a shelf as the former one had been.

A faint beat of half-seconds conjured up Thomasin rocking the cradle, a wavering hum meant that she was singing the baby to sleep, a crunching of sand as between millstones raised the picture of Humphrey's, Fairway's, or Sam's heavy feet crossing the stone floor of the kitchen; a light boyish step, and a gay tune in a high key, betokened a visit from Grandfer Cantle; a sudden break-off in the Grandfer's utterances implied the application to his lips of a mug of small beer, a bustling and slamming of doors meant starting to go to market; for Thomasin, in spite of her added scope of gentility, led a ludicrously narrow life, to the end that she might save every possible pound for her little daughter.

But it is in a dangerous crisis, when safety seems to hang upon a second, that the telephone is at its best. It is the instrument of emergencies, a sort of ubiquitous watchman. When the girl operator in the exchange hears a cry for help "Quick! The hospital!" "The fire department!" "The police!" she seldom waits to hear the number. She knows it. She is trained to save half-seconds.

A faint beat of half-seconds conjured up Thomasin rocking the cradle, a wavering hum meant that she was singing the baby to sleep, a crunching of sand as between millstones raised the picture of Humphrey's, Fairway's, or Sam's heavy feet crossing the stone floor of the kitchen; a light boyish step, and a gay tune in a high key, betokened a visit from Grandfer Cantle; a sudden break-off in the Grandfer's utterances implied the application to his lips of a mug of small beer, a bustling and slamming of doors meant starting to go to market; for Thomasin, in spite of her added scope of gentility, led a ludicrously narrow life, to the end that she might save every possible pound for her little daughter.

It was a moment of intense excitement. The Professor was watching the hand of the chronometer. "Five minutes more!" he said. "Four! Three!" My pulse beat half-seconds. "Two! One! Down, granite rocks; down with you." What took place at that moment? I believe I did not hear the dull roar of the explosion. But the rocks suddenly assumed a new arrangement: they rent asunder like a curtain.

"There is a good bit more of the artist in Jack than I have been giving him credit for. Don't you know, he must have got the notion for that between two half-seconds when you recognized me on the platform at Kansas City. It's wonderful!" "So very wonderful that I think I shall keep it," she rejoined, not without a touch of austerity. Then she added: "Mr. Winton will probably never miss it.