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Updated: May 4, 2025


Montoni still meditated how he might excuse himself from longer attendance upon the Count, for to him only he thought excuse necessary, and how he might get to land, till the gondolieri of an empty boat, returning to Venice, hailed his people.

The approach to it over the laguna, with its domes and turrets glittering in a long line over the blue waves, is one of the finest architectural delusions in the world. It seems to have and literally it has its foundations in the sea. The silent streets are paved with water, and you hear nothing but the dashing of the oars, and the occasional cries of the gondolieri. I heard nothing at Tasso.

"Cortesi! saw one ever such courtesy!" "San Marco keep you Immortali, for the grace of you!" "Sempiterni! everlasting ay, to be young like that, with so much pleasure in life Cielo!" "And the gondolieri of the Sempiterni do they live also forever? Signori Nobili, have you need of gondolieri?"

It was new to me not to hear the higher voice rise above the compass of the alto, that is to say, without touching the soprano, thereby imparting to the sound of the chorus a manly youthfulness hitherto unknown to me. "During one sleepless night, when I felt impelled to go out on to my balcony in the small hours, I heard for the first time the famous old folk-song of the gondolieri.

She was somewhat relieved by observing that Montoni was to be of the party, who seated himself on one side of her, while Morano placed himself on the other. There was a pause for some moments as the gondolieri prepared their oars, and Emily trembled from apprehension of the discourse that might follow this silence.

But hark! while I am writing this peevish reflection in my room, I hear some voices under my window answering each other upon the Grand Canal. It is, it is the gondolieri sure enough; they are at this moment singing to an odd sort of tune, but in no unmusical manner, the flight of Erminia from Tasso's Jerusalem. Oh, how pretty! how pleasing!

After these came a group of fantastic figures, some dressed as gondolieri, others as minstrels, while others seemed to defy all description. They sung in parts, their voices accompanied by a few soft instruments. At a little distance from the portico they stopped, and Emily distinguished the verses of Ariosto.

At that time, "the Italian women were the most contemptible of all who existed under the moon, an ordinary Englishman could not approach them"; "but," writes Shelley, "Lord Byron is familiar with the lowest sort of these women, the people his gondolieri pick up in the streets." Byron's curiosity, indeed, tempted him to learn something of vice in its most revolting aspects.

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