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Updated: May 5, 2025
Sims, pointing out an old gentleman, dressed in the style of 1840, like an old-fashioned lithograph of a beau of the time of Gavarni, "that man has been more than thirty-five years in the institution. He will not change the cut of his garments, and he is very careful to have his tailor make his clothes in the same style he dressed when he was young. He is very happy.
To his visitors' requests to be shown his plans for the competition, Peyton had opposed a laughing refusal, enforced by the presence of two fellow-architects, young men with lingering traces of the Beaux Arts in their costume and vocabulary, who stood about in Gavarni attitudes and dazzled the ladies by allusions to fenestration and entasis.
The loveliness of Hampton Court and Richmond and Hampstead Heath and the River is not to be denied and yet, gay as the English playing there manage to look, the only genuine gaiety is the Bank Holiday maker's. Tradition consecrates the loveliness bordering upon Paris to the gaiety to which Gavarni and Mürger are the most sympathetic guides, and none could have been more to Harland's fancy.
"So this is the Chamber!" cried Gazonal, as he paced the great hall in which there were then about a dozen persons, and looked around him with an air which Bixiou noted down in his memory and reproduced in one of the famous caricatures with which he rivalled Gavarni.
The genius of Honoré Daumier and the high fancy of Gavarni and of Grévin had already announced a serious protest of modern sentiment against academic taste, in returning on many points to the free tradition of Eisen, of the two Moreaus and of Debucourt.
I would give all the legends of Gavarni for certain expressions and master strokes, such as "the shade was NUPTIAL, august and solemn!" from Victor Hugo, or this from Montesquieu: "the vices of Alexander were extreme like his virtues. He was terrible in his wrath. It made him cruel." In short, I try to think well, IN ORDER TO write well. But writing well is my aim, I do not deny it.
To this weekly periodical, which henceforth appeared twice a week, Balzac summoned a brilliant editorial staff he always disdained to supervise any other than shining lights including Gustave Planche, Nodier, Theophile Gautier, Charles de Bernard, while the illustrations were furnished by Gavarni and Daumier.
The same impression would remain with me, no doubt, if I had been consulting an equal quantity of the work of Gavarni the wittiest, the most literary and most acutely profane of all chartered mockers with the pencil. The feeling of disrespect abides in all these things, the expression of the spirit for which humanity is definable primarily by its weaknesses.
For Daumier these weaknesses are altogether ugly and grotesque, while for Gavarni they are either basely graceful or touchingly miserable; but the vision of them in both cases is close and direct. If, on the other hand, we look through a dozen volumes of the collection of Punch we get an equal impression of hilarity, but we by no means get an equal impression of irony.
This acquaintance had sufficed him to judge of the man's character and to conclude that he was incapable of the double crime with which he was charged. Regardless of his own most pressing interests, Balzac, accompanied by Gavarni, set out for Bourg, where the trial and sentence of death had already taken place.
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