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Updated: June 3, 2025
No man could do this but I, and the eldest son of my body. Him has the god decreed to excel in art, and I have seen the perfections of the work of his hands in every kind of rare stone, in gold and silver, in ivory and ebony." Now since Mertisen and his son were the chief artists of their day, it is more than probable that they were employed to decorate their king's funerary chapel.
The greatest misfortune that can befall a man is to be deprived of burial. In such a case his spirit, deprived of a resting-place and of the funerary libations, leads a wandering and miserable existence; he is exposed to all kinds of ill-treatment at the hands of his fellow spirits, who show him no mercy."
Much of this funerary jewellery was made merely for show on the day of the funeral, and betrays its purpose by the slightness of the workmanship. The favourite jewels of the deceased person were, nevertheless, frequently buried with him, and the style and finish of these leave nothing to be desired. Chains and rings have come down to us in large numbers, as indeed might be expected.
At the close of each tale, King Khufu, to whom it is told, orders funerary offerings by the usual formula, to be presented in honour of the king under whom the wonder took place.
Certain orders of subjects are repeated to satiety, while others, which would be more interesting, are completely absent. It is in funerary inscriptions that the heart of man, touched by the mystery of the tomb, lays bare its aspirations with the greatest frankness and simplicity.
We are more especially grateful to these funerary scenes for handing down to us, in a safe niche in the temple of the arts, those poor and humble folk who count for so little in this world where they bear the heaviest burdens, who depend for remembrance after death upon the services they render to the great.
The interest of another of the Hagia Triada finds arises from the fact that it appears to represent a religious ceremony in honour of the dead. The object in question is a limestone sarcophagus covered with plaster, on which various funerary ceremonies are painted. On one side of the sarcophagus a figure stands against the door of a tomb.
In front of the pyramid of Usertsen (Senusret) III at one time stood the usual funerary temple, but it has been totally destroyed. By the side of the pyramid were buried some of the princesses of the royal family, in a series of tombs opening out of a subterranean gallery, and in this gallery were found the wonderful jewels of the princesses Sit-hathor and Merit, which are among the greatest treasures of the Cairo Museum. Those who have not seen them can obtain a perfect idea of their appearance from the beautiful water-colour paintings of them by M. Legrain, which are published in M. de Morgan's work on the "Fouilles
Hall remarks, 'and how his statuette got to Crete, we have no means of knowing. But the 'deceased' in the inscription shows that the statuette was a funerary or memorial one, and it is hardly likely that such an object was imported merely for its own sake or for its artistic value, which is slight enough.
Other megalithic structures can be definitely classed as dwellings or tombs, as we have seen in our separate treatment of them. It is not improbable that, if we are right in considering the dolmen as the most primitive form of megalithic monument, megalithic architecture was funerary in origin. Yet, as we find it in its great diffusion, it provides homes for the living as well as for the dead.
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