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And those who are guilty of so boyish an ambition in so grave a subject are so far from being considered as heroic poets that they ought to be turned down from Homer to the "Anthologia," from Virgil to Martial and Owen's Epigrams, and from Spenser to Flecknoe that is, from the top to the bottom of all poetry.
Of the latter were Bishop French, Sir Richard Nagle, Sir Richard Belling, Lord Orrery, Father Peter Walsh, and William Molyneux; of the former, Ludowick Barry, Sir John Denham, the Earl of Roscommon, and Richard Flecknoe, the Mac Flecknoe of Dryden.
'If anything of mine is good, says he, ''tis Mac Flecknoe; and I value myself the more upon it, because it is the first piece of ridicule written in Heroics. On hearing this, I plucked up my spirit to say, in a voice just loud enough to be heard, that 'Mac Flecknoe was a very fine poem; but that I had not imagined it to be the first that ever was writ that way. On this, Dryden turned short upon me, as surprised at my interposing; asked how long I had been a dabbler in poetry; and added, with a smile, 'Pray, sir, what is it that you did imagine to have been writ so before?
At Rome he wrote his first satire, a humorous critique upon Richard Flecknoe, an English Jesuit and verse writer, whose lines on Silence Charles Lamb quotes in one of his Essays. It is supposed that he made his first acquaintance with Milton in Italy. At Paris he made the Abbot de Manihan the subject of another satire.
Some wretched lines of his on the Restoration are still extant. Had he devoted himself to the making of verses, he would have been nearly as far below Tate and Blackmore as Tate and Blackmore are below Dryden. His only chance for renown would have been that he might have occupied a niche in a satire, between Flecknoe and Settle.
Some wretched lines of his on the Restoration are still extant. Had he devoted himself to the making of verses, he would have been nearly as far below Tate and Blackmore as Tate and Blackmore are below Dryden. His only chance for renown would have been that he might have occupied a niche in a satire, between Flecknoe and Settle.
"Flecknoe, thy characters are so full of wit And fancy, as each word is throng'd with it. Each line's a volume, and who reads would swear Whole libraries were in each character. Nor arrows in a quiver stuck, nor yet Lights in the starry skies are thicker set, Nor quills upon the armed porcupine, Than wit and fancy in this work of thine." This is one of Flecknoe's Characters:
Shadwell: But it is certain, the former prosecuted his resentment severely, and, in his Mac Flecknoe, has transmitted his antagonist to posterity in no advantageous light. It is the nature of satire to be biting, but it is not always its nature to be true: We cannot help thinking that Mr. Dryden has treated Shadwell a little too unmercifully, and has violated truth to make the satire more pungent.
Flecknoe blunderingly classed among the Laureates by the compiler of "Cibber's Lives of the Poets" was an Irish priest, who had cast his cassock, or, as he euphuistically expressed it, "laid aside the mechanic part of priesthood," in order to fulfil the loftier mission of literary garreteer in London.
In 1660 appeared "The Character of Italy" and "The Character of Spain;" in 1661, "Essays and Characters by L. G.;" in 1662-63, "The Assembly-Man" a Character that had been written by Sir John Birkenhead in 1647. Then came, in 1665, Richard Flecknoe, to whom Dryden ascribed sovereignty as one who "In prose and verse was owned without dispute, Through all the realms of Nonsense absolute."
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