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Updated: May 4, 2025
Another Andrea del Sarto, the "Disputa sulla Trinita," No. 172, is close by, nobly drawn but again not of his absolute best, and then five more Raphaels or putative Raphaels No. 171, Tommaso Inghirami; No. 61, Angelo Doni, the collector and the friend of artists, for whom Michelangelo painted his "Holy Family" in the Uffizi; No. 59, Maddalena Doni; and above all No. 174, "The Vision of Ezekiel," that little great picture, so strong and spirited, and to coin a word Sixtinish.
The figures, fewer in number than in the "Disputa" and confined to the lower half of the composition, are ranged in two long lines across the picture; but the nearer line is broken in the centre and the two figures on the steps, serving as connecting-links between the two ranks, give to the whole something of that semicircular grouping so noticeable in the companion picture.
"The School of Athens." Each of these walls has a doorway at one end, and the way in which these openings are dissimulated and utilized is most ingenious, particularly in the "Disputa," where the bits of parapet which play an important part at either side of the composition, one pierced, the other solid, were suggested solely by the presence of this door.
There is also a very pretty legend, in which he is represented as exciting the astonishment, of the schoolmaster Zaccheus by his premature wisdom. On these, and other details respecting the infancy of our Saviour, I shall have to say much more when treating of the History of Christ. Ital. La Disputa nel Tempio. Fr. Jésus au milieu des Docteurs.
It is said that when Raphael had completed one of his masterpieces the pope threw himself upon the ground and cried, "I thank Thee, God, that Thou hast sent me so great a painter!" While at work upon his first fresco at the Vatican "La Disputa," the dispute over the Holy Sacrament Raphael met a woman with whom he fell deeply in love. Her father was a soda manufacturer and her name was Margherita.
The colouring is varied in the extreme, and the lights well defined. These two pictures, and the Disputa, painted later, were removed to the church of S. Jacopo tra Fossi, when the convent was demolished in 1529. They were still there in 1677, when Bocchi wrote his Bellezze di Firenze, but the Christ appearing to Mary Magdalen is said to be now in the church of the Covoni in the Casentino.
Raphael made many rough studies for his picture "La Disputa," and upon them he left three sonnets, written to the woman so dear to him. These sonnets have been translated by the librarian of l'Ecole Nationale des Beaux-Arts, as follows: "Love, thou hast bound me with the light of two eyes which torment me, with a face like snow and roses, with sweet words and tender manners.
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