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Updated: June 21, 2025
To my amazement I found almost the entire room, at all events the front seats, filled with Jews, and in fact I owed such success as I obtained to the interest excited in this section of the population, as I learned the next day, when I attended a mid-day dinner arranged in my honour by Damrosch, at which again only Jews were present.
On the evening of November 6, election day, the City Party headquarters were crowded with people waiting for the returns. Mrs. Catt, Miss Hay, Mrs. Laidlaw and other leaders were present. Mr. Laidlaw and Judge Wadhams were "keeping the count." Walter Damrosch and other prominent men came in.
Walter Damrosch used to say that when he was engaging a bassoon player he would ask him to play a passage from the bassoon part in Scheherazade. If he could play that, he could play anything else written for his instrument. Pogliani gave up the bassoon for the fork, spoon, and saucepan. Like Prospero he buried his magic wand and in Viafora's cartoon the instrument lies idle in the cobwebs.
Having accomplished its incendiary and revolutionary purpose, the small reed-instrument subsides until it finds another chance to break out. It is a mugwump. Die Walküren, as given us by the Damrosch Company, are nine stout, comely young women, attired in costumes somewhat similar to the armor worn by Herr Lawrence Barrett's Roman army in Herr Shakespeare's play of "Der Julius Caesar."
Many musicians who came to America prior to the time of Thomas and Damrosch returned to Europe with what were, no doubt, true stories of the musical conditions in America at that time. These stories were given wide circulation in Europe, and it is difficult for Europeans to understand the cultured condition of the American people at the present time. America can never thank Dr.
The opera of "Merlin" was first performed at Vienna, Nov. 17, 1886, and was heard for the first time in this country at New York, Jan. 3, 1887, under the direction of Mr. Walter Damrosch, with the following cast: The libretto of the opera is by Siegfried Lipiner. The scene is laid in Wales, and the hero, Merlin, is familiar as one of the knights of King Arthur's round-table.
She heard Lizzie talking. "Yes, that's Walter Damrosch! Ain't that name fierce? Grandma thinks it's kind of wicked to pernounce it that way. They say he's fine, but I must say I liked the band they had last year better. It played a whole lot of lively things, and once they had a rattle-box and a squeaking thing that cried like a baby right out in the music, and everybody just roared laughing.
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