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Updated: June 17, 2025


"And Crebillon," said he. "And la Chaussee, and the younger Crebillon," said some one. "He ought to be more agreeable than his father." "And there are also the Abbes Prevot and d'Olivet." Madame de Pompadour repeated to me this conversation, which I wrote down the same evening. M. de Marigny, also, talked to me about it.

"And Crebillon," said he. "And la Chaussee, and the younger Crebillon," said some one. "He ought to be more agreeable than his father." "And there are also the Abbes Prevot and d'Olivet." Madame de Pompadour repeated to me this conversation, which I wrote down the same evening. M. de Marigny, also, talked to me about it.

Disappointed play-actors, like Collet d'Herbois; disappointed poets, like Fabre d'Olivet, were, they say, especially ferocious. Why not? Ingenious, sensitive spirits, used as lap-dogs and singing-birds by men and women whom they felt to be their own flesh and blood, they had, it may be, a juster appreciation of the actual worth of their patrons than had our own Pitt and Burke.

But most singular visitor of all was a sort of monk, having a black, matted beard and carrying a staff, who had gained access to the study, Paul never learned by what means, and who had thundered out an incomprehensible warning against "unveiling the shrine," had denounced what he had termed "the poison of Fabre d'Olivet" and had departed mysteriously as he had come.

"He was a philosopher," says Abbe d'Olivet in his Histoire de l'Academie Francaise; "all he dreamt of was a quiet life, with his friends and his books, making a good choice of both; not courting or avoiding pleasure; ever inclined for moderate fun, and with a talent for setting it going; polished in manners, and discreet in conversation; dreading every sort of ambition, even that of displaying wit."

To be applauded for eloquence at that time, says the Abbé D'Olivet, an Advocate was to say almost nothing of his cause; make continual allusions to the least-known passages of antiquity, and have the art of throwing a new kind of obscurity upon them, by, making his speech consist of a string of metaphors. This fault shocked Grotius much.

"And Crebillon," said he. "And la Chaussee, and the younger Crebillon," said some one. "He ought to be more agreeable than his father." "And there are also the Abbes Prevot and d'Olivet." Madame de Pompadour repeated to me this conversation, which I wrote down the same evening. M. de Marigny, also, talked to me about it.

How far the Huguenot strain may have influenced him, through his paternal grandmother, is hard to tell, since we know but little of Charlotte d'Olivet.

The Latin verses made by Grotius to supply those of Cicero that were lost, are not inferior to the lines of that great man, in the opinion of the Abbé d'Olivet, an excellent judge, who likewise thinks the supplement a very good commentary on Aratus's work.

These people are, for the most part, down-and-out journalists or broken spendthrifts seeking to exploit the taste of a public weary of positivism. They plagiarize Eliphas Levi, steal from Fabre d'Olivet, and write treatises of which they themselves are incapable of making head or tail. It's a real pity, when you come to think of it."

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