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But Chapron was the brother-in-law of Maitland, of the new friend with whom Madame Steno had become infatuated during the absence of the Polish Count, and what a brother-in-law! He of whom Dorsenne said: "He would set Rome on fire to cook an egg for his sister's husband."
That was the case with Florent Chapron, whether his character, at once somewhat wild and yet submissive, rendered him more qualified for that renunciation of his personality than friendship demands, whether, far from his father and his sister and not having any mother, his loving heart had need of attaching itself to some one who could fill the place of his relatives, or whether Maitland exercised over him a special prestige by his opposite qualities.
Florent Chapron, the painter's brother-in-law, was the only man with those three ladies. Countess Steno and Lincoln Maitland were not there, and one could hear the musical voice of Alba spelling the heraldry carved on the coffers, formerly opened with tender curiosity by young girls, laughing and dreaming by turns like her.
"It is my fault," he moaned, "it is my fault. With that Hafner we should have obtained such a fine official plan by mixing in a little of ours. He offered it to us himself.... Brave Chapron!
While the madman, Boleslas, hastened to Ardea to ask his cooperation in the most unreasonable of encounters, with a species of savage delight, Florent Chapron was possessed by only one thought: at any price to prevent his brother-in-law from suspecting his quarrel with Madame Steno's former lover and the duel which was to be the result.
That was the case with Florent Chapron, whether his character, at once somewhat wild and yet submissive, rendered him more qualified for that renunciation of his personality than friendship demands, whether, far from his father and his sister and not having any mother, his loving heart had need of attaching itself to some one who could fill the place of his relatives, or whether Maitland exercised over him a special prestige by his opposite qualities.
Lydia had cost her mother her life, at the moment when the War of Secession jeoparded the fortune of Chapron, who, fortunately for him, had, in his desire to enrich himself quickly, invested his money a little on all sides. He was only partly ruined, but that semi-ruin prevented him from returning to Europe, as he had intended.
Florent Chapron, the painter's brother-in- law, was the only man with those three ladies. Countess Steno and Lincoln Maitland were not there, and one could hear the musical voice of Alba spelling the heraldry carved on the coffers, formerly opened with tender curiosity by young girls, laughing and dreaming by turns like her.
The step was an enormous undertaking, and would have appeared so to any one but Julien, who knew that the relations between Florent Chapron and Lincoln Maitland were of a very exceptional nature.
Maitland would not have pardoned himself a concession of art. He considered rascals the painters who begged success by compromise in their style, and he thought it quite natural to take the money of Mademoiselle Chapron, whom he did not love, and for whom, now that he had grown to manhood and knew several of her compatriots, he likewise felt the prejudice of race.
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