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Updated: June 5, 2025


When a Cambodian hunter has set his nets and taken nothing, he strips himself naked, goes some way off, then strolls up to the net as if he did not see it, lets himself be caught in it, and cries, "Hillo! what's this? I'm afraid I'm caught." After that the net is sure to catch game. A pantomime of the same sort has been acted within the living memory in our Scottish Highlands. The Rev.

Nadar's hair, however, was not long like that of les rois chevelue, for it was simply a huge curly and somewhat reddish mop. As for his complexion, Millaud's phrase, "yellow as a pure Cambodian," was a happy thought. These allusions to Millaud's sprightly verse remind me that throughout the siege of Paris the so-called mot pour rire was never once lost sight of.

The remains of the balustrade show that it consisted of a series of long quarry stones, on the ridges of which caryatidian pillars, representing the seven-headed serpent, supported other slabs grooved along the rim to receive semi-convex stones with arabesque sculptures, affording a hint of ancient Cambodian art.

M. Aymonier goes on to speak of priestesses, and the Cambodian taboo, tam or trenam, which Mr. Lowis, the Superintendent of Ethnography in Burma, suggests may be akin to the Khasi sang. Dress. Dress may be divided into two divisions, ancient and modern. It will be convenient to take the former division first.

The Cambodians esteem it a grave offence to touch a man's head; some of them will not enter a place where anything whatever is suspended over their heads; and the meanest Cambodian would never consent to live under an inhabited room.

Such countries as Uganda and Rwanda added unforgettable achievements of their own to this record of heroic struggle. Inspiring, too, was the demonstration of the capacity for renewal that is inherent in the Cause and which emerged in Cambodian refugee camps along the Thailand border.

Admission to the royal ballet is to a Cambodian maiden what a position in the Ziegfeld Follies is to a Broadway chorus girl. It is the blue ribbon of female pulchritude. Unlike Mr.

If the Lovely Lady and the Winsome Widow had only consented to appear on the back of an elephant, or even in a palanquin, I imagine that they might have received a mark of the royal favor in the form of a Cambodian decoration. It is a gorgeous affair and is called, with great appropriateness, the "Order of a Million Elephants and Parasols." The dancers ranged in age from twelve to fifteen.

Most of the dancers wore towering, pointed head-dresses, similar to the historic crowns of the Cambodian kings, though a few of them wore masks, one representing the head of a fox, another a fish, a third a lion, which could be raised or lowered, like the visors of medieval helmets.

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