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The Governor or Director, as already mentioned, was Pierre Renault: his Council consisted of MM. Fournier, Caillot, Laporterie, Nicolas, and Picques. There were 36 Frenchmen of lesser rank in the Company's service, as well as 6 surgeons. The troops were commanded by M. de Tury and 10 officers.

Mirabel and Marguerite Caillot, his first witness, who had deposed to his telling her about the ghost, and to seeing the excavation of the packet, were now arrested, while Auguier remained in prison. Marguerite now denied her original deposition, she had only spoken to oblige Mirabel.

The King was highly amused with these plays, and was present at every performance. Caillot, a celebrated actor, who had long quitted the stage, and Dazincourt, both of acknowledged good character, were selected to give lessons, the first in comic opera, of which the easier sorts were preferred, and the second in comedy.

The case was allowed to come on, there were sixteen witnesses. A woman named Caillot swore to Mirabel's having told her about the ghost: she saw the treasure excavated, saw the bags, and recognised the ribbon. A man had seen Mirabel on his way to give Auguier his bags, and, indeed, saw him do so, and receive a piece of paper. He also found, next day, a gold coin on the scene of the interview.

She had chosen for teachers two pensioned actors, Caillot and Dazincourt, who had to come every day to Trianon to teach to the noble group of actors the small operas, vaudevilles, and dramas, which had been chosen for representation, and in which the queen naturally always played the part of first amateur, while the princesses, the wives of the Counts de Provence and Artois, the two Countesses de Polignac, undertook the other parts, even those of gentlemen, when the two brothers of the king, the only male members of this theatrical company, could not assume all the gentlemen's parts.

The King was highly amused with these plays, and was present at every performance. Caillot, a celebrated actor, who had long quitted the stage, and Dazincourt, both of acknowledged good character, were selected to give lessons, the first in comic opera, of which the easier sorts were preferred, and the second in comedy.

The King was highly amused with these plays, and was present at every performance. Caillot, a celebrated actor, who had long quitted the stage, and Dazincourt, both of acknowledged good character, were selected to give lessons, the first in comic opera, of which the easier sorts were preferred, and the second in comedy.

On February 18, 1729, Auguier was acquitted, Mirabel was condemned to the torture, and to the galley, for life. Marguerite Caillot was fined ten francs. Under torture Mirabel accused Barthelemy of having made him bring his charge against Auguier, supplying him with the forged receipt and with the sham document, the summons to restore the gold to Madame Placasse.

But its most piquant transformation is the Comedie lyrique of Poinsinet, acted at Paris in 1765-6 to the lively music of Philidor. The famous Caillot took the part of Squire Western, who, surrounded by piqueurs, and girt with the conventional cor de chasse of the Gallic sportsman, sings the following ariette, diversified with true Fontainebleau terms of venery: