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Updated: June 2, 2025


Bergson at the close of his essay on dreams hints that the mind may transcend its conjectured limits and be influenced in profound slumber by telepathy. This is but an hypothesis which must long await verification.

Now according to Bergson the red which we know directly is a period of the vibrations of matter contracted by memory so as to produce an actual perceived fact. As matter red does not change, it is absolutely discrete and complex, in a word, logical: as fact it is non-logical and forms a creative process of duration.

Similarly a series of instants before and after one another leaves out of time just the element of passage, becoming, which is its essence. The truth, Bergson says, is that with fixed stages, no matter how many you take, and no matter in what relation you arrange them, you cannot reproduce the change and time which actually occur as facts directly known.

Consequently, some persons possessing only a superficial acquaintance with Bergson, and having minds which still think in the exclusive and opposing terms of the conflict of science and religion of a generation past, have enthusiastically hailed him as an ally of their religion. We must examine carefully how far this is justifiable.

So that if we start with the universe, with life, and with this tendency, mechanism will do all the rest. But this is not science, of course, because it is not verifiable; it is practically the philosophy of Bergson. The cast-iron conclusions of physical science do pinch the Harvard professor a bit, and he pads them with a little of the Bergsonian philosophy.

An artist in his workmanship, M. Bergson is not an artist in his allegiance; he has no respect for what is merely ideal. For this very reason, perhaps, he is more at home in natural history than in the exact sciences.

It is to such a labour that Bergson has applied himself; it is only incidentally that we find him making remarks on religious or theological conceptions. His whole philosophy, however, involves some very important religious conceptions and theological standpoints.

Alexandra Bergson in O Pioneers!, Thea Kronborg in The Song of the Lark, Ántonia Shimerda in My Ántonia around these as girls and women the actions primarily revolve. It is not, however, as other Helens or Gudruns that they affect their universes; they are not the darlings of heroes but heroes themselves.

There are patients who, after an attack of paralysis remain paralysed in one limb, which loses the voluntary movement, but does not necessarily lose its sensibility. Many clear cases are observed in which this dissociation takes place. I therefore own that I cannot follow M. Bergson in his deduction.

Once adopt the movement of this life in any given instance and you know what Bergson calls the devenir réel by which the thing evolves and grows. Philosophy should seek this kind of living understanding of the movement of reality, not follow science in vainly patching together fragments of its dead results.

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