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Updated: May 5, 2025


Marino strongly urged him to accompany him to Rome, an invitation which Poussin would gladly have accepted, had he not then been engaged in some commissions of importance, which having completed, he set out for Rome in 1624, where he was warmly received by his friend Marino, who introduced him to the Cardinal Barberini.

The Palazzo Sciarra was let: the first floor to the Minister of Foreign Affairs and the second to a senator, while the Prince and his mother merely occupied the ground floor. The Palazzo Barberini was let: its ground floor, first floor, and second floor to various families, whilst the Prince found a refuge on the third floor in the rooms which had been occupied by his ancestors' lackeys.

The Mysteries of the Life and Death of Jesus Christ, one set is called, and is the property of the Cathedral of St. John, the Divine, in New York, donated by Mrs. Clarke. Cardinal Francesco Barberini chose as his artists those of the school of Pietro di Cortona with Giovanni Francesco Romanelli as the head master.

At this time the cardinals, too, were not mere ecclesiastics, but rather men of great wealth and power; often they became prime ministers in their several countries, as Richelieu, for example, and the great and influential houses of Savoy, Este, Gonzaga, Farnese, Barberini, and many others, always possessed one or more of them who vied in magnificence with the pope himself.

Rome now lay before them, magnificent in desolation; not the Rome which the Farnesi and Chigi and Barberini have built up from the quarried ruins of amphitheaters and baths, but the Rome of the Middle Ages, the city crowned with relics of a pagan past, herself still pagan, and holding in her midst the modern Antichrist. The progress of the French was a continued triumph.

The delicate oval outline, the pale wild-rose colouring, the reddish-brown of the fine, glistening tresses, the amber-hazel of the wistful, brilliant eyes, reproduced to a wonderful degree the modelling and tinting of the wonderful Guido portrait, the white-draped head in the Barberini Gallery, which, in defiance of Bertolotti and the Edinburgh Review, will always be associated with the name of the sorrowful-sweet heroine of the most sombre of sex-tragedies.

After this he was in Paris, but in 1624 he went to Rome where he lived with Du Quesnoy. His first success was obtained by the execution of two historical pieces which were commissioned by Cardinal Barberini on his return from an Embassy to France. These were The Death of Germanicus and The Capture of Jerusalem.

Cardinal Barberini had become Pope Urban the Eighth. Years before, Galileo and Barberini had taught together at Padua, and when Galileo was silenced, a long letter of sympathy had come from his old colleague, and occasionally since they had exchanged friendly letters. Galileo thought that Urban was his friend, and he knew that Urban, in his heart, believed in the theory of Copernicus.

The nightingales already begin to bubble into song under the Ludovisi ilexes and in the Barberini Gardens. Daisies have snowed all over the Campagna, periwinkles star the grass, crocuses and anemones impurple the spaces between the rows of springing grain along the still brown slopes.

Annette had long since come to an understanding with the servants, and it was she who descended at half past seven, made the coffee herself, and brought up with it the nearest thing to the morning rolls of the Palazzo Barberini which Oxford could provide with a copy of The Times specially ordered for Lady Constance.

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