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The Chateau de Bagatelle was built in a month, thus meriting its name, by the Comte d'Artois, the future Charles X, as a result of a wager with Marie Antoinette. On its façade it originally bore the inscription: "Parva sed apta" "small but convenient."

They are Vasuki, Takshaka, Karkotaka, Dhanjaya, Kaliya, Nahusha, Aswatara, Vakyakunda, Mani, Apurana, Khaga, Vamana, Elapatra, Kukura, Kukuna, Aryaka, Nandaka, Kalasa, Potaka, Kalilasaka, Pinjaraka, Airavata, Sumanmukha, Dadhimukha, Sankha, Nanda, Upanandaka, Apta, Kotaraka, Sikhi, Nishthuraka, Tittiri, Hastibhadra, Kumuda, Maylapindaka, the two Padmas, Pundarika, Pushpa, Mudgaraparnaka, Karavira, Pitharaka, Samvritta, Vritta, Pindara, Vilwapatra, Mushikada, Sirishaka, Dilipa, Sankha-sirsha, Jyotishka, Aparajita, Kauravya, Dhritarashtra, Kuhara, Krisaka, Virajas, Dharana, Savahu, Mukhara, Jaya, Vidhira, Andha, Visundi, Virasa, and Sarasa.

He recorded the pleasant fact in an inscription over the door, which has become celebrated: "Parva, sed apta mihi; sed nulli obnoxia; sed non Sordida; parta meo sed tamen acre domus." Small, yet it suits me; is of no offence; Was built, not meanly, at my own expense.

In the words of Ovid we say: "Prisca juvent alios: ego me nunc denique natum Gratulor. Hæc ætas moribus apta meis." Our friend, the Roman cit, has therefore thus far, in his progress through life, obtained no breakfast, if he ever contemplated an idea so frantic. But it occurs to you, our faithful reader, that perhaps he will not always be thus unhappy.

He invited them to the play, as "master of the revels," and walked between them, looking a very decent figure of a don on a college lawn, substantial, serene, and with an air of displaying his possessions: "Parva sed apta mihi; Deus nobis haec otia fecit!" He still possessed the rags of his Latin. "This little bay- tree will interest you, Miss Percival.

The child of his time, he threw all his brilliant gifts unhesitatingly into the scale of new ideas and new fashions; his "modernity," to use a current term of the present day, is greater than that of any other ancient author of anything like his eminence. Prisca iuvent alios, ego me nunc denique natum Gratulor: haec aetas moribus apta meis this is his deliberate attitude throughout his life.

The house itself was small, but the proprietor might have carved on his lintel the legend over Ariosto's door, Parva, sed apta mihi. In October, 1852, he wrote to Bridge that he intended to begin a new romance within a day or two, which he should make "more genial" than the last. What design this was cannot now be even conjectured.