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Updated: June 20, 2025


When, instead of the single star on her veil or mantle, she has the crown of twelve stars, the allusion is to the text of the Apocalypse already quoted, and the number of stars is in allusion to the number of the Apostles. St. The LILY. "I am the rose of Sharon, and lily of the valleys." For the same reason it became that of the French monarchy.

"Queen of Sheba," "The Marriage in Cana," "Magdalen Washing the Feet of Christ," "The Holy Family." Who has not heard of Da Vinci's "Last Supper"? Who has not heard of Turner's "Pools of Solomon"? Who has not heard of Claude's "Marriage of Isaac and Rebecca"? Who has not heard of Dürer's "Dragon of the Apocalypse"? The mightiest picture on this planet is Rubens' "Scourging of Christ."

Don Juan and the Pope began to laugh; they understood each other. A fool would have gone on the morrow to amuse himself with Julius II. in Raphael's studio or at the delicious Villa Madama; not so Belvidero. Over his cups the Rovere would have been capable of denying his own infallibility and of commenting on the Apocalypse.

Hooper, who had been named Bishop of Gloucester, refused to wear the episcopal habits, and denounced them as the livery of the "harlot of Babylon," a name for the Papacy which was supposed to have been discovered in the Apocalypse. Ecclesiastical order came almost to an end. Priests flung aside the surplice as superstitious.

Even with a subject so dull, so barren of the bare possibilities of poetry, as his "Animadversions upon the Remonstrants' Defense," he breaks out into an invocation, "Oh, Thou that sittest in light and glory unapproachable, parent of angels and men," which is like a chapter from the Apocalypse.

There seems, however, no parallel to such a use of "angel," and it is doubtful whether the monarchical government of churches was fully developed when the Apocalypse was written. Later Jewish and Christian speculation followed on the lines of the angelology of the earlier apocalypses; and angels play an important part in Gnostic systems and in the Jewish Midrashim and the Kabbala.

Such is a specimen of questions suggested by the Millenarian system, which have failed of either scriptural or rational solution by all the learning and ingenuity of its fanciful advocates. The whole series of the Apocalypse proves that the two witnesses live and prophesy throughout the 1260 years of Antichrist's reign.

Sebastiano, apparently in good faith, made the following burlesque suggestion: "For myself, I think that the Ganymede would go there very well; one could put an aureole about him, and turn him into a S. John of the Apocalypse when he is being caught up into the heavens." The whole of one side of the Italian Renaissance, its so-called neo-paganism, is contained in this remark.

Examine your synoptic gospels, your Gospel of St. John, your Apocalypse, in the light of these. You have no other chance of understanding them. But so examined, they fall into place, become explicable and rational; such material as science can make full use of.

The literal Babylon, a name common to the ancient city and empire by the river Euphrates, was in no sense a church; and it would be anomalous and incongruous to select either city or empire as an emblem of a church! There is, however, in the Apocalypse a combining or blending of symbols in order clearly and fully to represent a complex moral person. Just so in this instance.

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