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Finally, in the third ante-room, the /anticamera nobile/, where the red cap lay on a credence facing the large imperious portrait of the Cardinal in ceremonial costume, there was Don Vigilio who had left his little work-table to station himself at the door of the throne-room and there bow to those who crossed the threshold.

When it is finished, the Pope wearing his stole, and the Cardinals having taken off their cappe, go to S. Peter's in procession, accompanied by the Papal Anticamera segreta, the guards and others, to venerate the relics of the Cross, the Lance, and the Volto Santo, which are shewn by the Canons from the gallery above the statue of S. Veronica . The Pope meantime, and the Cardinals and others arranged on each side of Him, remain kneeling.

Finally, in the third ante-room, the anticamera nobile, where the red cap lay on a credence facing the large imperious portrait of the Cardinal in ceremonial costume, there was Don Vigilio who had left his little work-table to station himself at the door of the throne-room and there bow to those who crossed the threshold.

Pierre joined Celia and La Pierina in the anticamera nobile, where stood Don Vigilio. The few seats belonging to the throne-room had there been placed in a corner, and the little Princess had just compelled the work-girl to sit down in an arm-chair, in order that she might recover self-possession.

And once more the chamber sank into deep quietude, whilst the two lamps continued to diffuse a soft and steady light. In the centre of the anticamera segreta Signor Squadra stood waiting black and motionless. And on noticing that Pierre in his flurry forgot to take his hat from the pier table, he himself discreetly fetched it and handed it to the young priest with a silent bow.

And in the deep silence it seemed as if one could almost hear the faint noise of the moths preying for a century past upon all this dead splendour, which would have fallen into dust at the slightest touch of a feather broom. The second ante-room, that was formerly occupied by the secretary, was also empty, and it was only in the third one, the anticamera nobile, that Pierre found Don Vigilio.

The exact date when the Cæsars were delivered is not known, but it may legitimately be inferred that this was in the course of 1537 or the earlier half of 1538. Our master's pictures were, according to Vasari, placed in an anticamera of the Mantuan Palace, below them being hung twelve storie a olio histories in oils by Giulio Romano.

Signor Squadra who, walking on with slow and silent steps, had not yet once turned round, paused for a moment on reaching the door of the anticamera segreta so as to give Pierre time to breathe and recover himself somewhat before crossing the threshold of the sanctuary.

Finally, in the third ante-room, the anticamera nobile, where the red cap lay on a credence facing the large imperious portrait of the Cardinal in ceremonial costume, there was Don Vigilio who had left his little work-table to station himself at the door of the throne-room and there bow to those who crossed the threshold.

Signor Squadra who, walking on with slow and silent steps, had not yet once turned round, paused for a moment on reaching the door of the anticamera segreta so as to give Pierre time to breathe and recover himself somewhat before crossing the threshold of the sanctuary.