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Updated: June 1, 2025
Hail the Prince! And while his answer was passing below, the man on the roof marked the planets in their Houses exactly as they were that midnight between Monday and Tuesday in the year 1430. Have I in aught erred, my lord?" "In nothing, O Prince."
Domenico Morone, who was born at Verona about the year 1430, learned the art of painting from some masters who were disciples of Stefano, and from works by the same Stefano, by Jacopo Bellini, by Pisano, and by others, which he saw and copied. Saying nothing of the many pictures that he executed after the manner of those times, which are now in monasteries and private houses, I begin by recording that he painted in chiaroscuro, with "terretta verde," the façade of a house belonging to the city of Verona, on the square called the Piazza de' Signori; and in this may be seen many ornamental friezes and scenes from ancient history, with a very beautiful arrangement of figures and costumes of bygone days. But the best work to be seen by the hand of this master is the Leading of Christ to the Cross, with a multitude of figures and horses, which is in S. Bernardino, on the wall above the Chapel of the Monte di Piet
A. In the first class of vessels experimented upon, the actual power was about 1.6 times greater than the nominal power; in the second class, 1.67 times greater; in the third class, 1.7 times greater; and in the fourth, 1.96 times greater; while in such vessels as the Red Rover and City of Canterbury, it is 2.65 times greater; so that if we adopt the actual instead of the nominal power in fixing the coefficients, we shall have 554 as the first coefficient, 694 as the second, 832 for the third, and 806 for the fourth, instead of 925, 1160, 1430, and 1580 as previously specified; while for such vessels as the Red Rover, Herne, Queen, and Prince of Wales, we shall have 962 instead of 2550.
In the struggle against Duke Philip Jeanne fought with her usual bravery but with the fatal consciousness that her mission was at an end, and during the defence of Compiègne in the May of 1430 she fell into the power of the Bastard of Vendôme, to be sold by her captor into the hands of the Duke of Burgundy and by the Duke into the hands of the English.
It bears inscriptions in Greek and Latin, "ICTAVPωCIC" and "Rex Ivdeorvm," and, below the arms of Christ, "In me credentes ad me concvrrite gentes." It is believed to be of the tenth century, or even earlier. In the sacristy is a picture of 1430 on a gold ground in the original frame, restored at the emperor's expense.
In the year 1430 an address or petition of the Dublin Council to the King sets forth "that the enemies and rebels, aided by the Scots, had conquered or rendered tributary almost every part of the country, except the county of Dublin." The presence of Henry V. in Ireland had been urgently solicited by his lieges in that kingdom, but without effect.
By the time Keating had rounded up all the regular Melroy Engineering Corporation employees and Melroy had talked to Colonel Bradshaw about security-clearance, it was 1430. A little later, he was called on the phone by Leighton, the Atomic Power Authority man. "Melroy, what are you trying to do?" the Power Authority man demanded. "Get this whole plant struck shut?
France and Navarre, in the play, are in full peace. The actual date of the fabulous King Ferdinand would have been about 1430. By introducing Biron, Longueville, and the Duc de Mayenne, and Bankes's celebrated educated horse, the author shifts the date to 1591. Many of Shakespeare's anachronisms are easily intelligible.
But at all events it was made perfectly clear that the foregoing conclusion must be carried out, and that Jeanne must die: and, not only so, but she must die with opprobrium and disgrace as a witch, which almost everybody out of Rouen now believed her to be. The public examination which lasted six days was concluded on the third of March, 1430.
4. Domenico di Bartolo, 1430. A large altar-piece. Mary seated on a throne, within a glory of encircling cherubim of a glowing red, and about thirty more angels, some adoring, others playing on musical instruments, is borne upwards. Her hands are joined in prayer, her head veiled and crowned, and she wears a white robe, embroidered with golden flowers. Above, in the opening heaven, is the figure of Christ, young and beardless (
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