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In both these cases what has met with resistance is the will; in the one case, as it is objectified in the organism, in the other, as it presents itself in the struggle of life; and in both, it is plain that the satisfaction of the will consists in nothing else than that it meets with no resistance.

The Venus de Medici has scarcely any personality at all; she is chiefly objectified desire! The essence of art is not spontaneous expression nor naked passion; the essence of art is critical expression, restrained passion. Now, such extreme naturalism has been the continuing peril and the arch foe of every successive civilization.

When put into patterned words, the subtlest and deepest passions of a poet, which before were felt in a dim and tangled fashion, are brought out into the light of consciousness. In music, the most elusive moods, by being embodied in ordered sounds, remain no longer subterranean, but are objectified and lifted into clearness.

He represents this sense of varied life as manifested or objectified in his creations, i.e., his characters. In Othello, for instance, we have suggestions of love and jealousy that go down to the very depth of the heart, through imaginative insight.

We naturally fail, under these circumstances, to separate the pleasure from the other objectified feelings. It becomes, like them, a quality of the object, which we distinguish from pleasures not so incorporated in the perception of things, by giving it the name of beauty. The definition of beauty.

This the Greeks understood when they employed music as a healer of the soul and called this effect catharsis. If, indeed, music were just a means for the arousal of feelings, it would not be a fine art, but an orgy. For, in order to be aesthetic, feelings must be not merely stimulated by, but objectified in, the sense medium, where they can be mastered and known.

Nor are we willing either to say with Santayana that all our sense of the beauty of the world is merely pleasure objectified and that we can infer no eternal Beauty from it.

It was the unknown, objectified at last, in concrete flesh and blood, bending over him and reaching down to seize hold of him. His hair bristled involuntarily; his lips writhed back and his little fangs were bared. The hand, poised like doom above him, hesitated, and the man spoke laughing, "Wabam wabisca ip pit tah." The other Indians laughed loudly, and urged the man on to pick up the cub.

In which we are both right and wrong: wrong, because negation cannot be objectified, in so far as it is negative; right, however, in that the negation of a thing implies the latent affirmation of its replacement by something else, which we systematically leave on one side. But the negative form of negation benefits by the affirmation at the bottom of it.

All the feelings aroused by perceived things are merged in those things and made to figure as the spiritual and invisible part of their essence, a part, moreover, quite as well known and as directly perceived as their motions. To ask why such feelings are objectified would be to betray a wholly sophisticated view of experience and its articulation.