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We passed on steadily to the northward until mid-afternoon, making no great headway with one propellor missing, but leaving the main gulf steadily, and at length, raising, a faint blue loom on the sky, the long oak-crowned heights of those singular geological formations, the heights known as "islands", that bound the head of this great bay.
For nearly three miles our road lay through natural park-like scenery, flowery knolls, deep ravines, and oak-crowned hills, with every now and then the blue waters of the lake glittering through the trees.
After a quick spin of some ten or fifteen minutes through twisting hedge-girt country roads, the roans turned in at a wide gateway, and went with dancing, rhythmic step along the park drive. The screen of oak-crowned upland suddenly fell away and a grey sharp-cornered building came into view in a setting of low growing beeches and dark pines.
Whereupon I gave orders to break out the anchor, and knowing that any Cajun market hunter and shrimp fisher like 'Polyte can travel in any mist or fog before sunup by some instinct of his own, I took a chance and began to feel our way out to the mouth of the Manning channel before the morning mists were gone; so that we were at breakfast by the time the wide and gently rippling bay broke clear below us, and by magic, we saw the oak-crowned heights of the island dead ahead.
This is the real fairyland, the wonderland of mediæval romance and of Persian and Arabian tales, no longer solemn or awful, but brilliant, sunny, only half believed in; the fairyland of the Renaissance, superficially artistic, with its lightest, brightest fancies, and its charming realities; its cloistered and painted courts with plashing fountains, its tapestried and inlaid rooms, its towered and belvedered villas, its quaint clipped gardens full of strange Oriental plants and beasts; and all this transported into a country of wonders, where are the gardens of the Hesperides, the fountain of Merlin, the tomb of Narcissus, the castle of Morgan-le-Fay; every quaint and beautiful fancy, antique and mediæval, mixed up together, as in some Renaissance picture of Botticelli or Rosselli or Filippino, where knights in armour descend from Pegasus before Roman temples, where swarthy white-turbaned Turks, with oddly bunched-up trousers and jewelled caftans, and half-naked, oak-crowned youths, like genii descended, pensive and wondering, from some antique sarcophagus, and dapper princelets and stalwart knights, and citizens and monks, all crowd round the altar of some wonder-working Macone or Apolline or Trevigante; some comic, dreadful, apish figure, mummed up in half-antique, half-oriental garb.
His devoted friend, and Wellesley's, Professor Eben N. Horsford, has given us a picture of him which it would be a pity to miss. The two men are standing on the oak-crowned hill, overlooking the lake. "We wandered on," says Professor Horsford, "over the hill and future site of Norumbega, till we came where now stands the monument to the munificence of Valeria Stone.
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