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This art is the great German art of the early sixteenth century; the art of Martin Schongauer, of Aldegrever, of Altdorfer, of Wohlgemuth, of Kranach, of Albrecht Dürer and Hans Holbein, whom they resemble as Pinturicchio and Lo Spagna resemble Perugino, as Palma and Paris Bordone resemble Titian.

His father was a goldsmith, and Albert was apprenticed to the same trade; but he was so anxious to study painting that at length his father placed him as apprentice to the painter Michael Wohlgemuth.

We neither of us regained our true natures until he was free of every vestige of the garb of Prince Albrecht Wohlgemuth. Attendants were awaiting him at the garden-gate of a beautiful villa partly girdled by rising fir-woods on its footing of bright green meadow. They led him away, and us to bath-rooms.

The work of Wohlgemuth, by which he is now most familiarly known, are the illustrations of the Nürnberg Chronicle, of Hartmann Schedel, published in 1493, which he executed in conjunction with William Pleydenwurff. This once famous history is a folio, full of historic learning, and illustrated by more than a thousand woodcuts, many of which are very large.

We neither of us regained our true natures until he was free of every vestige of the garb of Prince Albrecht Wohlgemuth. Attendants were awaiting him at the garden-gate of a beautiful villa partly girdled by rising fir-woods on its footing of bright green meadow. They led him away, and us to bath-rooms.

There were always many in Nürnberg, but none had better reputation than Michael Wohlgemuth; he also was an earnest, busy man, constantly employed in many branches of his profession, possessing in fact a great deal of the trading spirit, and therefore he was the man with whom Dürer would most desire to see his son studying.

He printed, in 1493, that grand volume, the Nuremberg Chronicle, which is illustrated with upward of one thousand woodcuts by Michael Wohlgemuth, the master of Albert Dürer, and is curious as being one of the first books in which cross-hatchings occur in wood-engraving.

* Various arguments in its favour are advanced by A. Wohlgemuth, "On the feelings and their neural correlate, with an examination of the nature of pain," "British Journal of Psychology," viii, 4. . But as these arguments are largely a reductio ad absurdum of other theories, among which that which I am advocating is not included, I cannot regard them as establishing their contention.

These compositions, while remarkable in many respects, still reveal the influence of his master, Wohlgemuth, and give evidence of having been in part executed with the assistance of apprentices.

It was the original intention of the father of the artist that he should follow the craft of the goldsmith, but after serving a period as an apprentice in his father's shop, his strong predilection for the calling of the painter manifested itself to such a degree that the father reluctantly consented to allow the boy to follow his natural bent, and placed him under the tutelage of Michael Wohlgemuth, the principal painter of Nuremberg.