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Updated: May 12, 2025


The Boche, a Wagnerian by birth and upbringing, cannot stand any more of this, so he has fired a rifle-grenade at the glee-party on the whole a much more honest and direct method of condemnation than that practiced by musical critics in time of peace. But he only elicits an encore.

If I depart here for a brief space from my announced purpose not to analyze the music in the manner of the Wagnerian commentators, it will be only because the themes of the prelude are the most pregnant of those employed in the working out of the drama, because their specific significance in the purpose of the composer is plainly set forth by their association with scenes and words, and because they are most admirably fitted by structure and emotional content to express the things attributed to them.

Through not having allowed the soul of music to lodge within them, they have no notion of gymnastics in the Greek and Wagnerian sense; and that is why their creative artists are condemned to despair, as long as they wish to dispense with music as a guide in a new world of visible phenomena.

He saw a middle-aged Parisienne posing childishly and having fairy-tales told to her. It was not the Wagnerian sickliness, sentimental and clumsy, like a girl from the Rhine provinces. But the Franco-Belgian sickliness was not much better, with its simpering parlor-tricks: "the hair," "the little father," "the doves," and the whole trick of mystery for the delectation of society women.

Gregory poured into the gap like a great cascade, and we had a discourse on the origins of the Wagnerian librettos. After it was over and we were trying to banish the subject from our minds, I sent the other two out for a walk this had been agreed upon previously and prepared to face the music alone.

He passed his twenty-eighth birthday in Munich. A short time before he had gone to Bayreuth to hear the Wagnerian operas, and now in the capital of Bavaria he attended the theater of the Residence, where the Mozart festival was celebrated.

His music is not markedly Wagnerian, however, in other ways, but seems to show, back of his individuality, an assimilation of the good old school of canon and fugue, with an Italian tendency to the declamatory and well-rounded melodic period.

Musical people suffer more from such interruptions than persons whose ears are not similarly refined can imagine; for the tone colors of a Wagnerian score are as exquisitely delicate and refined as the evanescent films and colors of a soap-bubble, so that the mere rustling of a fan or a programme mars them.

Belgian by birth and temperament, and French in feeling and by musical education, he had remained outside the Wagnerian movement in his own serene and fecund solitude. To his intellectual greatness and the charm his personal genius held for the little band of friends who knew and revered him he added the authority of his knowledge.

promise of deep utterance is a phrase of horns with the precise accent and agony of a Tristan. The very semblance of whole motives seems to be taken from the warp and woof of Wagnerian drama. And thus the whole symphony is degraded, in its gorgeous capacity, to the reëchoed rhapsody of exotic romanticism. It is all little touches, no big thoughts, a mosaic of a symphony.

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