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He permitted one for an instant to hear ringing "the prelude of a deeper, mightier, perchance a more evil and mysterious music; a super-German music which does not fade, wither and die away beside the blue and wanton sea and the clear Mediterranean sky; a music super-European, which would assert itself even amid the tawny sunsets of the desert; a music whose soul is akin to the palm-trees; a music that can consort and prowl with great, beautiful, lonely beasts of prey; a music whose supreme charm is its ignorance of Good and Evil."

"I think you are!" she said, coldly "You seem to be a man, but you have not the feelings of a man!" "Oh, have I not!" and he gave a light gesture of indifference "I have the feelings of a modern man, the 'Kultur' of a perfect super-German! Yes, that is so! Sentiment is the mere fly-trap of sensuality the feeler thrust out to scent the prey, but once the fly is caught, the trap closes.

Do you understand? No, of course you don't! You are a dreadfully primitive woman!" "I did not think you were German," she said. "Nor did I!" and he laughed "Nor am I. I said just now that I had the 'Kultur' of a super-German and a super-German means something above every other male creature except himself. He cannot get away from himself nor can I! That's the trouble! Come, obey me, Manella!

Like the musician that Nietzsche dreamed of, he seems "to hear ringing in his ears the prelude of a deeper, stronger music, perhaps a more wayward and mysterious music; a music that is super-German, which, unlike other music, would not die away, nor pale, nor grow dull beside the blue and wanton sea and the clear Mediterranean sky; a music super-European, which would hold its own even by the dark sunsets of the desert; a music whose soul is akin to the palm trees; a music that knows how to live and move among great beasts of prey, beautiful and solitary; a music whose supreme charm is its ignorance of good and evil.

Such a Southerner, a Southerner not by origin but by BELIEF, if he should dream of the future of music, must also dream of it being freed from the influence of the North; and must have in his ears the prelude to a deeper, mightier, and perhaps more perverse and mysterious music, a super-German music, which does not fade, pale, and die away, as all German music does, at the sight of the blue, wanton sea and the Mediterranean clearness of sky a super-European music, which holds its own even in presence of the brown sunsets of the desert, whose soul is akin to the palm-tree, and can be at home and can roam with big, beautiful, lonely beasts of prey... I could imagine a music of which the rarest charm would be that it knew nothing more of good and evil; only that here and there perhaps some sailor's home-sickness, some golden shadows and tender weaknesses might sweep lightly over it; an art which, from the far distance, would see the colours of a sinking and almost incomprehensible MORAL world fleeing towards it, and would be hospitable enough and profound enough to receive such belated fugitives.