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Updated: June 2, 2025
Von Schroeder establishes parallel between existing Fertility procession and Rig-Veda poem. Identification of Life Principle with King. Prosperity of land dependent on king as representative of god. Celts. Greeks. Modern instances, the Shilluk Kings. Parallel between Shilluk King, Grail King and Vegetation Deity. Sone de Nansai and the Lament for Tammuz. Identity of situation.
And if you note the vertue of this order, you shal se al these weapons, to doe fully their office, for that the Pikes, bee profitable against the horses, and when thei come against the footemenne, thei dooe their office well, before the faight throng together, bicause so sone as thei presse together, thei become unprofitable: wherefore, the Suizzers to avoide this inconvenience, put after everye three rankes of Pikes, a ranke of Halberdes, the whiche they do to make roome to the Pikes, which is not yet so much as suffiseth.
Galahad Queste. Result, primary task healing of Fisher King and removal of curse of Waste Land. The two inter-dependent. Illness of King entails misfortune on Land. Enquiry into nature of King's disability. Sone de Nansai. For elucidation of problem necessary to bear in mind close connection between Land and Ruler. Importance of Waste Land motif for criticism. The Freeing of the Waters
But the aungelle wolde not late him come in; but seyd to him, that he myghte not have of the oyle of mercy. But he toke him three greynes of the same tree, that his fadre eet the appelle offe; and bad him, als sone as his fadre was ded, that he scholde putte theise three greynes undre his tonge, and grave him so: and he dide.
And thenne whan he awaked, he sayd, allas Sir Gawayne my sisters sone, here now thou lyggest , the man in the world that I loued moost, and now is my joye gone, for now my neuewe syre Gawayne I will discouer me vnto your persone, in syr Launcelot & you I had moost my joye and myn affyaunce, & now haue I lost my joye of you bothe, wherefor all myn erthely joye is gone from me.
Before Shakespeare died, there were such stage properties as beds, tables, chairs, dishes, fetters, shop wares, and perhaps also some artificial trees, mossy banks, and rocks. A theatrical manager in an inventory of stage properties mentions "the sittie of Rome," which was perhaps a cloth so painted as to present a perspective of the city. He also speaks of a "cloth of the Sone and Mone."
Heming thinks to swear to the gun; for yo see, there's nobbut* her as can testify to its being his, and she let on so easily to the policeman that it was his, that there's no getting off her word now. Poor body; she takes it very hard, I dare say!" *Nobbut; none-but. "No man sigh evere God NO BUT the oon bigetun sone." Wickliffe's Version. Mrs.
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