Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: April 30, 2025
Not, however, being satisfied with one example, I resolved to go myself to Potsdam; and, being furnished with permission from H.R.H. the Crown Princess of Prussia, I was enabled in September, 1881, to set the question at rest of how many grand pianofortes by Gottfried Silbermann there were still in existence at Potsdam, and what they were like.
Gottfried Silbermann, an ingenious musical instrument maker, of Freyhurg, Saxony, was the first to give the new principle adequate expression, about the year 1740, and his pianos excited a great deal of curiosity among musicians and scientific men. He followed the mechanism of Cristofori, the Italian, rather than of his own countrymen.
Some other pianofortes seem to have been made in North Germany about this time, as our own poet Gray bought one in Hamburg in 1755, in the description of which we notice the desire to combine a hammer action with the harpsichord which so long exercised men's minds. The Seven Years' War put an end to pianoforte making on the lines Silbermann had adopted in Saxony.
The crown lands extend to thirty thousand acres, and are let to Silbermann, the Vienna banker, at forty kreutzers an acre. The conclusion of this contract lies within the province of the treasury; but the disposal of the income belongs to the military department. This income amounts to a hundred thousand gulden.
The story of inventive Italian pianoforte making ends thus early, but to Italy the invention indisputably belongs. The first to make pianofortes in Germany was the famous Freiberg organ-builder and clavichord maker, Gottfried Silbermann.
We do not know what these instruments were, but it may be inferred that they were copies of Cristofori, or were made after the description of his invention by Maffei, which had already been translated from Italian into German, by Koenig, the court poet at Dresden, who was a personal friend of Silbermann.
With the next anecdote, which narrates the purchase of all the pianofortes Silbermann had made, by Frederick the Great, we are upon surer ground. This well accredited occurrence took place in 1746. In the following year occurred Bach's celebrated visit to Potsdam, when he played upon one or more of these instruments. Burney saw and described one in 1772.
It is interesting to suppose that Handel may have tried one or more of these four instruments during the stay he made at Florence in 1708. But it is not likely that he was at all impressed with the potentialities of the invention any more than John Sebastian Bach was in after years when he tried the pianofortes of Silbermann.
An advance shown by these instruments of Stein and Stein's followers is in the spacing of the unisons; the Huhn grands having two strings to a note in the lower part of the scale, and three in the upper. The Cristofori Silbermann inverted wrest-plank has reverted to the usual form; the tuning pins and downward bearing being the same as in the harpsichord.
Silbermann divided the estate into three parts, and let to subtenants at a gulden an acre." "Of course he wanted to make something out of it." "Naturally. The subtenants let the land in smaller parcels to the peasantry for a certain percentage of the crops. But now, after two bad harvests, the land in the Banat has not even grown enough for seed-corn.
Word Of The Day
Others Looking