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The psychological organism is in a state of unity either when it is in a state of virtual congealment or emptiness, as in a trance or ecstasy; or when it is in a state of repose, without tendency to change. Secondly, the organism is self-complete when it is at the highest possible point of tone, of functional efficiency, of enhanced life.

Thus the Nature of Beauty is in the relation of means to an end; the means, the possibilities of stimulation in the motor, visual, auditory, and purely ideal fields; the end, a moment of perfection, of self-complete unity of experience, of favorable stimulation with repose. Beauty is not perfection; but the beauty of an object lies in its permanent possibility of creating the perfect moment.

In the calm, static reason of his soul, he recognised this, and admitted it was her right, to be closed round upon herself, self-complete, without desire. He realised it, he admitted it, it only needed one last effort on his own part, to win for himself the same completeness.

He had taken some money, had drifted about, living in the most comfortless, wretched fashion, then he had found a place somewhere in Pennsylvania, in a dry goods store. This was when he was seventeen or eighteen years old. All this seemed to have happened to him without his being very much affected, at least consciously. His nature was simple and self-complete.

With this important modification of Hegel's definition of Beauty, which brings it into line with the point of view already won, I believe the way is at last opened from the traditional philosophy of aesthetics to a healthy and concrete psychological theory. But must every self-complete object give rise to the aesthetic experience?

Imagine two thousand manuscript novels being scattered around on two thousand desks, a shilling admission! Do we get one good novel a year? Scarcely. One good symphony or opera? Of course not. Then why expect to get a picture worth hanging? And every picture should hang by itself it's an artistic entity, self-complete.

An object is absolutely self-complete only for the perceiving subject; it is so, in other words, only when it produces a self-complete experience for that subject.

But we who are not so comment dirai-je? so self-complete must rely on frivolous things like una buona cena. 'Don't believe in 'em, reiterated the resolutionist; 'three regular' 'Ah, c'est mauvais, gesticulated Madame Carlotti, who alternated between Italian and French phrases in London, and kept her best English for the Continent. 'Mr.

Why had they wished for emancipation? Their life was self-centred, self-complete. But no; they were restless, doomed to wander. He saw the earliest streams pouring into Venice at the commencement of the thirteenth century, German merchants, then Levantines, helping to build up the commercial capital of the fifteenth century.

Yet not so self-complete as that of Il Duro or Paolo. They had passed through the foreign world and been quite untouched. Their souls were static, it was the world that had flowed unstable by. But John was more sensitive, he had come more into contact with his new surroundings. He had attended night classes almost every evening, and had been taught English like a child.