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Updated: May 31, 2025
Rather younger than you, and awfully strong. She can walk nine miles." In Rumour's diary, the exact number of a pedestrian's miles is vouched for, as well as the exact round number of thousands Park-Laners have per annum. "I dare say we shall see her," Gwen continued. "I hope so, because I promised my cousin Clo to give her this parcel with my own hands.
And, you know, he's not like most boys, who'll take what they can." She said this rather wistfully. "I'm sorry for the woman," mused Lord Valleys; "I really am." "They say this rumour's done a lot of harm." "Our influence is strong enough to survive that." "It'll be a squeak; I wish I knew what he was going to do. Will you ask him?"
But let us select them from the pages of the same writer, one who was ambidexter; let us take, for instance, Rumour's Prologue to the Second Part of Henry IV., a fine flourish of eloquence in Shakespeare's second manner, and set it side by side with Falstaff's praise of sherris, act iv., scene 1; or let us compare the beautiful prose spoken throughout by Rosalind and Orlando, compare, for example, the first speech of all, Orlando's speech to Adam, with what passage it shall please you to select the Seven Ages from the same play, or even such a stave of nobility as Othello's farewell to war; and still you will be able to perceive, if you have any ear for that class of music, a certain superior degree of organisation in the prose; a compacter fitting of the parts; a balance in the swing and the return as of a throbbing pendulum.
For to-night only does she triumph, ere, to-morrow's sun has set I hope to be at or very near Haughton Hall with those who will lift the veil from the past, and put in Dame Rumour's hands another version of the scandal." "We shall have a long evening together, Lionel; you can stay with us, I suppose."
But let us select them from the pages of the same writer, one who was ambidexter; let us take, for instance, Rumour's Prologue to the Second Part of Henry IV., a fine flourish of eloquence in Shakespeare's second manner, and set it side by side with Falstaff's praise of sherris, act iv. scene iii.; or let us compare the beautiful prose spoken throughout by Rosalind and Orlando; compare, for example, the first speech of all, Orlando's speech to Adam, with what passage it shall please you to select the Seven Ages from the same play, or even such a stave of nobility as Othello's farewell to war; and still you will be able to perceive, if you have an ear for that class of music, a certain superior degree of organisation in the prose; a compacter fitting of the parts; a balance in the swing and the return as of a throbbing pendulum.
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