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The King appeared at a window of Romney's drawing room. The Princess of Denmark, her husband and her court occupied a neighbouring house. The whole diplomatic body assembled at the dwelling of the minister of the United Provinces. A huge pyramid of flame in the centre of the area threw out brilliant cascades which were seen by hundreds of thousands who crowded the neighbouring streets and parks.
Everybody in the connection, I suppose, has taken turns trying to reconcile them, but nobody has succeeded. I don't believe that Romney has ever so much as THOUGHT of any other woman in his whole life, and certainly Lucinda has never thought of any other man. You will notice she still wears Romney's ring. They're practically engaged still, of course.
The walls were hung with a set of William Nicolson's prints, strong, dark, distinct, slightly sinister in effect; a fine etching of Jean Francois Millet's Gleaners; and, in noticeable contrast to this last, a mezzotint of Romney's picture of Lady Hamilton spinning. Upon the book-table were a silver ash-tray and cigarette-box.
So I will say at once that I do not understand the introduction of Romney's name into the argument. If comparison there must be, surely Mr. Watts would furnish one more appropriate. Both in the seeing and in the execution the portrait seems nearer to Mr. Watts than to Romney. Of Romney's gaiety there is no trace in Mr. Steer's picture.
If we talk of English masters, Romney is the name that most naturally suggests itself, because in the bright clear face and brown hair and large simplicity of presentment, there is a good deal to recall that painter. But Romney's colour would look cheap beside this, and his drawing conventional in observation, however big in style."
Lucinda lifted her arm and touched a red rose to her lips with the hand upon which shone the frosty glitter of Romney's diamond, looking at the graceful slope of her shoulder and the splendid line of chin and throat with critical approval. She noted, too, how well the gown became her eyes, bringing out all the deeper colour in them. Lucinda had magnificent eyes.
Romney's notice of my boyish years and productions with gratitude; his original and striking conversation; his masterly, grand, and feeling compositions are continually before me; and I still feel the benefits of his acquaintance and recommendations. Romney's historical pictures are very numerous; though comparatively few of them can be considered as completely finished works.
And facing them, the youths of the same families, no less handsome than their sisters and brides in Romney's blue coats, or the splendid red of Reynolds and Gainsborough.
If we may assume that Romney's pictures are now but lightly valued, it must be conceded that the time has been when they were very differently estimated.
There is an air of fashion about many of Romney's portraits as opposed to the look of nobility, which is the especial attribute of Reynolds's pictures. In contemplating a Sir Joshua there will be found a propriety, an integrity about the work which effectually prevents all thought of the parts played by the tailor or the milliner at the toilet of the sitter.
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