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He adored Virgil, yet he wrote the Divine Comedy, with the episode of Ugolino, which is as unlike the Aeneid as can possibly be. And those who thus obey the fundamental principle of romanticism, one by one become classical, and are joined to that ever-increasing common league, formed by men of all countries, to approach nearer and nearer to perfection."

Many things, good and bad, and above all one thing of the nature both of the best and the worst: the grand style in morality, the fearfulness and majesty of infinite demands, of infinite significations, the whole Romanticism and sublimity of moral questionableness and consequently just the most attractive, ensnaring, and exquisite element in those iridescences and allurements to life, in the aftersheen of which the sky of our European culture, its evening sky, now glows perhaps glows out.

This kind of mediaeval romanticism, though glorified by Lord Beaconsfield in Coningsby, seemed purely laughable to Thackeray, and he made rather bitter fun of it in Lines upon my Sister's Portrait, by the Lord Southdown. But, though the spirit of this mournful song is the spirit of England's Trust, the verbal imitation is not close enough to deserve the title of Parody.

"The Blue Closet," which is said to have been written for some drawings of Mr. Rossetti, is also a masterpiece in this romantic manner. Our brief English age of romanticism, our 1830, was 1856-60, when Mr. Morris, Mr. Burne Jones, and Mr. Swinburne were undergraduates.

In another letter he wrote: "I may as well say the one thing I love in freedom is the struggle for its attainment. Its possession does not greatly concern me." As Brandes points out, this attitude of Ibsen's is partly a reminiscence of romanticism; and in Ibsen as in Balzac the romanticist is forever wrestling with the realist.

But for the fondness for style integral in the French mind and character, it would perceive the contradiction between this romanticism and any canons except such as are purely intuitive and indefinable.

The book is written throughout on the verge of realism, with divinations and conjectures across its border, and with lapses into the fool's paradise of romanticism, and an apparent content with its inanity and impossibility.

That Stephen had inherited this passive force, Corinna knew, but she knew also, that it was threatened by his incurable romanticism, by that inarticulate longing for heroic adventures. Suddenly, as if moved by a steel spring, Mrs. Culpeper rose.

Gérard de Nerval that strangest figure of a strange period considered the matter anew in the fervid days of French romanticism, and decided that there were in reality only twenty-four typical situations available for the theater; but his classification has also failed to come down to us.

Doing so, he inevitably insists upon the face; and having formed a face expressive of some defined quality, he can hardly give to the body that generalised beauty which belongs to a Greek nymph or athlete. What we mean by the differences between Classic and Romantic art lies in the distinctions I am drawing. Classicism sacrifices character to breadth. Romanticism sacrifices breadth to character.