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Updated: June 11, 2025


His brother, Malatesta Baglione, the Florentine general, has made himself immortal by the treason of 1530; and Malatesta's son Ridolfo, the last of the house, attained, by the murder of the legate and the public officers in the year 1534, a brief but sanguinary authority. We shall meet again with the names of the rulers of Rimini.

All the while the two leaders of the ruling house, Guido and Ridolfo, were holding frequent interviews with Suor Colomba of Rieti, a Dominican nun of saintly reputation and miraculous powers, who under penalty of some great disaster ordered them to make peace naturally in vain.

Ridolfo lived seventy-five years, and died in the year 1560; and he was buried with his forefathers in S. Maria Novella.

The pair of them, however, came into the room, and Ridolfo locked the door behind him. "Look you, Cino," said he, "our father's guests are not our guests, for our way is to choose our own.

As the boy grew up Ridolfo frequented those public schools of art before spoken of, the Brancacci Chapel, and the study of the cartoons in the Papal Hall. Here he secured the friendship not only of Granacci and Pier di Cosimo, but of Raphael himself, with whom he visited Fra Bartolommeo in his convent.

Everybody, I think, will agree with Father Cesari that it would be hard to draw chastity finer than this. San Luigi Gonzaga descended from that Ridolfo who put his wife to death, and his father was Marquis of Castiglione delle Stivere. He was born in 1568, and, being the first son, was heir to the marquisate; but from his earliest years he had a call to the Church.

They chiefly objected to him that he placed a Jew, Eusebio Malatesta, at the head of civil affairs; and this Jew was indeed the cause of great mischief: for Ridolfo Gonzaga coming to reside with his wife for a time at the court of his brother, the Marquis, Malatesta fell in love with her.

Finally, having grown old, Ridolfo lived a very happy life, having his daughters married, and seeing his sons well started in the affairs of commerce in France and at Ferrara.

But lovely beyond all others, in the venerable aspect of the countenance, is the figure of S. Romualdo, which is on that high-altar. They also executed other pictures there, but it must suffice to have spoken of these. Ridolfo painted grotesques on the vaulting of the Green Chamber in the Palace of Duke Cosimo, and some landscapes on the walls, which much pleased the Duke.

This is obvious, for Aristotele da San Gallo worked there, as did Ridolfo Ghirlandajo, Raffaello Sanzio da Urbino, Francesco Granaccio, Baccio Bandinelli, and Alonso Berughetta, the Spaniard; they were followed by Andrea del Sarto, Franciabigio, Jacopo Sansovino, Rosso, Maturino, Lorenzetto, Tribolo, then a boy, Jacopo da Pontormo, and Pierin del Vaga: all of them first-rate masters of the Florentine school."

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