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Updated: June 23, 2025


Selecting the Belgian workman the miner, the hewer of wood and drawer of water, the proletarian, in a word for his theme, Meunier observed closely and reproduced his vision in terms of rugged beauty. The sentiment is evidently socialistic. Like Prince Kropotkin and the brothers Réclus, the Belgian sculptor revolts against the cruelty of man to man.

Is it possible that the weight of the sands has pressed together the soil on which they rest, and thus occasioned a subsidence of the surface extending beyond their base? A more probable explanation of the fact stated in the note is suggested by Elisee Reclus, in an article entitled Le Littoral de la France, in the Revue des Deux Mondes for September 1, 1864, pp. 193, 194.

Thus, with Metschnikoff we recognise the succession of potamic, thalassic, and oceanic civilisations; with Reclus we see the regular distribution of minor and major towns to have been largely influenced not only by geographical position but by convenient journey distances.

Lady Burton was somewhat surprised, but she put it down to a great man's peculiarity; so she went on talking to him, and explaining the pleasure which it would give Sir Richard to make his acquaintance, when the door was opened again,and the servant announced, "Monsieur Reclus." The man she had been talking to was the clockwinder.

To the conservative Christian anarchist, the amiable doctrines of Kropotkin were sentimental ideas of Russian mental inertia covered with the name of anarchy merely to disguise their innocence; and the outpourings of Elisee Reclus were ideals of the French ouvrier, diluted with absinthe, resulting in a bourgeois dream of order and inertia.

England, the ancient refuge of political offenders, although it has sheltered Bakunin, Kropotkin, Reclus, Most, Penkert, Louise Michel, Cafiero, Malatesta, and other Anarchist leaders, and still shelters some of them; although London is rich in Anarchist clubs and newspapers, meetings and congresses, yet possesses no Anarchism "native to the soil," and has formed at all times rather a kind of exchange or market-place for Anarchist ideas, motive forces, and the literature of agitation.

Elisée Reclus moved for the appointment of a commission, which was to answer the following questions: "Why we are revolutionaries"; "Why we are Anarchists"; "Why we are Collectivists." "We are revolutionaries," said Reclus, "because we desire justice. Progress has never been marked by mere peaceful development; it has always been called forth by a sudden resolution.

Elisee Reclus in his very interesting paper La Grande Famille gives support to the idea that the so-called domestication of animals did not originally arise from any forcible subjugation of them by man, but from a natural amity with them which grew up in the beginning from common interests, pursuits and affections.

Reclus informs us that the Mauvaise, a sand-bank near the Point de Grave, on the Atlantic coast of France, has moved five miles to the west in less than a century. Revue des Deux Mondes for December, 1862, p. 905. The action of currents may, in some cases, have been confounded with that of the waves.

Reclus, a French authority, has declared that the ornamental foliage here is not only really admirable as to itself, but is the "perfection of imitation," and extends this commendation also to the work on the pillars and capitals of the north doorway by which the church is usually entered.

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