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Updated: June 2, 2025
Moe Rabiner says that they got weather like January already out in Minnesota, and every retail dry-goods concern is kicking that they ain't seen a dollar's worth of business this spring." "But Kleebaum's got a tremendous following in Minneapolis, Abe," Morris said. "He's got an oitermobile delivery system." "Don't pull that on me again, Mawruss," Abe broke in.
Mozart Rabiner plays for her on the pianner, Mawruss; and when she gets through, the way Rabiner jollies her you would think she would be buying goods for Marshall Field yet. After that, Geigermann takes the fiddle and him and Moe Rabiner gets together by the pianner and for three quarters of an hour, Mawruss, they work away like they was being paid for it."
For three hours without cessation they laboured over Potash & Perlmutter's sample line until garments to an amount in excess of five thousand dollars had been ordered. When Max Kirschner saw the total of Moe Griesman's selection for the Syracuse store he emitted a low whistle. "Say, Moe," he said, "ain't you going to give your nephew, Rabiner, any show at all this season?"
"Why, Mawruss," he gasped, "it says here he is paying three thousand dollars for an Amati which he had in his possession for some time. That must be the very fiddle which he is playing on with Moe Rabiner." "My tzuris if it is oder it ain't," Morris commented. "What difference does that make to us, Abe?" Abe's face was white and large beads of perspiration stood out on his forehead as he replied.
Every afternoon he is playing with such sharks like Moe Rabiner and Marks Pasinsky, and if he ever got out of a job as designer he could go on the stage at one of them continual performances as a card juggler yet. A three-fifty hand is the least that feller deals himself." "One thing is sure, Abe, you couldn't never sell me no goods by knocking Hymie Salzman."
"Do you got bronchitis, too, as well as rheumatism?" "Go ahead, Sol," Abe gasped. "Tell me about this here order." "There ain't much to tell, Abe," Sol went on, "except that this here Rabiner does something I never heard about before in all my experience in the cloak and suit business." "No?" Abe croaked. "What was that?"
Together they took the elevator to the eighth floor and, as Ignatz Kresnick dealt the cards for the five-hundredth time in that game, all unconscious of his fast-approaching Nemesis, Mozart Rabiner played the concluding measures of the Liebestod softly, slowly, like a benediction: Ertrinken Versinken Unbewusst Höchste Lust. "Who do you think I seen it in Hammersmith's just now, Mawruss?"
If that cut-throat Rabiner thinks he is going to get me to knock a competitor in front of Geigermann he's mistaken. 'Sure I like him, I says; 'why not? 'In that case, Moe says, 'we'll play some more of this. 'Go as far as you like, I says, and they kept it up till the elevator boy rings the bell and says a lady on the top floor is sick. I don't blame her, Mawruss; I was pretty sick myself."
"My worries, if he owns the fiddle oder not, Abe!" Morris commented. "Sure, I know, Mawruss; but that ain't the point. Afterward Mozart Rabiner comes in; and if I would be Felix Geigermann, Mawruss, and a salesman comes into my house and gets fresh with a pianner which the least it stands Geigermann in is a hundred dollars, Mawruss, I would kick him into the street yet."
And mind you, Mawruss, Moe Griesman had just bought out Sam Green's competitors, Van Buskirk & Patterson. And Max Kirschner knows all the time that the only reason that we took on Mozart Rabiner was on account of his uncle, Moe Griesman."
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